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The Roots of Form in Schoenberg's "Sketches"
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The Roots of Form in Schoenberg's "Sketches" (1980)The Roots of Form in Schoenberg's "Sketch…Modernist Movements (2025)Modernist MovementsJournal of Music Theoryover the Years (2006)Journal of Music Theoryover t…Webern, Tradition, and "Composing with Twelve Tones..." (1993)Webern, Tradition, and "Compo…The State of Research in Twelve-Tone and Atonal Theory (1989)The State of Research in Twel…Contraintes cognitives sur les systèmes compositionnels (1988)Contraintes cognitives sur le…'Tonal' Forms in Arnold Schoenberg's Twelve-Tone Music (1987)'Tonal' Forms in Arnold Schoe…Secondary and Disjunct Order-Position Relationships in Webern's Op. 20 (1986)Secondary and Disjunct Order-…A Theory of Twelve-Tone Meter (1984)A Theory of Twelve-Tone MeterThe Format and Function of Schoenberg's Twelve-Tone Sketches (1983)The Format and Function of Sc…Style and Idea (1950)Das Werk Arnold Schönbergs (1959)Studien zur Entwicklung des dodekaphonen Satzes bei Arnold Schonberg (1973)Contemplating Music: Challenges to Musicology (1989)Playing with Signs (1991)The Literature of Bibliometrics, Scientometrics, and Informetrics (2001)Set Structure as a Compositional Determinant (1961)The Source Set and Its Aggregate Formations (1961)The Structure of Atonal Music (1974)Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music (2001)Schoenberg's “SINGLE SECOND OF MAXIMUM SPIRITUAL Excitement”: COMPRESSION AND EXPANSION INERWARTUNG, Op. 17 (2003)The Concept of Meter: An Exercise in Abstraction (1959)The Structure of Atonal Music (1974)The Stratification of Musical Rhythm (1977)Rhythm in twentieth-century theory (2002)Metric Manipulations in Post-Tonal Music (2020)Composition With Pitch-Classes (1987)Generalized Musical Intervals and Transformations (1988)Klumpenhouwer Networks and Some Isographies That Involve Them (1990)WHEN EVEN BECOMES ODD: A PARTITIONAL APPROACH TO INVERSION (1999)Meter as Rhythm (2020)WEBERN'S TWELVE-TONE SKETCHES (1971)Derivation and Polyphony (1984)Syntactic Structures (1957)The Modularity of Mind (1983)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Segmentation and Process in Post-Tonal Music (1981)Variety and Multiplicity in Diatonic Systems (1985)Simetria intervalar e rede de coleções: análise estrutural dos Choros nº 4 e Choros nº 7 de Heitor Villa-Lobos (2014)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The Subject and Power (1982)Gender Trouble: Feminism and the Subversion of Identity (1991)
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  • 1993Webern, Tradition, and "Composing with Twelve Tones..."28 cited
  • 1987'Tonal' Forms in Arnold Schoenberg's Twelve-Tone Music28 cited
  • 2006Journal of Music Theoryover the Years13 cited
  • 1984A Theory of Twelve-Tone Meter11 cited
  • 1989The State of Research in Twelve-Tone and Atonal Theory10 cited
  • 1983The Format and Function of Schoenberg's Twelve-Tone Sketches6 cited
  • 1988Contraintes cognitives sur les systèmes compositionnels6 cited
  • 2025Modernist Movements2 cited
  • 1986Secondary and Disjunct Order-Position Relationships in Webern's Op. 202 cited

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