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Contemplating Music and the Boundaries of Identity: Attitudes and Opinions Regarding the Effect of Ottoman Turkish Contact on Bulgarian and Macedonian Folk Musics
12 references·0 citing·27 second hop
Contemplating Music and the Boundaries of Identity: Attitudes and Opinions Regarding the Effect of Ottoman Turkish Contact on Bulgarian and Macedonian Folk Musics (2010)Contemplating Music and the Boundaries of…Turkish in Macedonia and beyond: Studies in Contact, Typology, and Other Phenomena in the Balkans and the Caucasus (2005)Turkish in Macedonia and beyo…The Past in Question: Modern Macedonia and the Uncertainties of Nation (2004)The Past in Question: Modern …The past in question: modern Macedonia and the uncertainties of nation (2004)The past in question: modern …Who is the “Other” in the Balkans? Local Ethnic Music as a Different Source of Identities in Bulgaria (2002)Who is the “Other” in the Bal…Bulgaria or Chalgaria: The Attenuation of Bulgarian Nationalism in a Mass-Mediated Popular Music (2002)Bulgaria or Chalgaria: The At…The Ottoman Legacy in the Balkans (1997)The Ottoman Legacy in the Bal…May It Fill Your Soul: Experiencing Bulgarian Music (1997)May It Fill Your Soul: Experi…An Attempt at a Synthetic Paradigm (1997)An Attempt at a Synthetic Par…May it fill your soul: experiencing Bulgarian music (1995)May it fill your soul: experi…Recent Achievements in Soviet Ethnomusicology, with Remarks on Russian Terminology (1990)Recent Achievements in Soviet…Makam: Modal Practice in Turkish Art Music (1978)Makam: Modal Practice in Turk…THE SOVIET RUSSIAN CONCEPTS OF “INTONAZIA” AND “MUSICAL IMAGERY” (1974)THE SOVIET RUSSIAN CONCEPTS O…The Balkans: minorities and states in conflict (1992)Imagining the Balkans (2009)MacedonianČalgija: A Musical Refashioning of National Identity (2012)Turbo-Folk as the Agent of Empire: On Discourses of Identity and Difference in Popular Culture (2014)Contemporary urban folk music in the Balkans: Possibilities for regional music history (2018)Prokofiev's Soviet Operas (2019)Writing about Popular Music (2019)Topic Theory in Soviet Musicology (2022)Cultural Proximity: Crisis, Time and Social Memory in Central Greece (2012)Borders and the Relocation of Europe (2013)International representations of Balkan wars: a socio-anthropological approach in international relations perspective (2016)From Popular to "Traditional" Theater: The Dynamics of Change in Bangsawan of Malaysia (1989)Modal Harmony in Andalusian, Eastern European, and Turkish Syncretic Musics (1989)Fine Art, Fine Music: Controlling Turkish Taste at the Fine Arts Academy in 1926 (2000)Citizenship, Ethnicity, History, Nation, Region, and the Prespa Agreement of June 2018 between Macedonia and Greece (2018)Time, Place, and Metaphor in Musical Experience and Ethnography (2003)The Yoruba diaspora in the Atlantic world (2006)Tape: Or, Rewinding the Phonographic Regime (2017)Melodies from the Past, Melodies from the Present: Music and Identity in the Cuban Diaspora (2013)You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’. (2013)“There Is No Compulsion in Religion”: On Conversion and Apostasy in the Late Ottoman Empire: 1839–1856 (2000)Disaggregating Turkish citizenship and immigration practices (2000)Kurdish nationalists and non‐nationalist Kurdists: rethinking minority nationalism and the dissolution of the Ottoman Empire, 1908–1909 (2007)The Individual in Musical Ethnography (2012)Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia (2015)Shared cultural knowledge: Effects of music on young children’s social preferences (2016)Syntactic change in an immigrant language: from non-finite to finite subordinate clauses in Turkish (2013)
this work references cited by second hop

References

  • 1997May It Fill Your Soul: Experiencing Bulgarian Music130 cited
  • 1995May it fill your soul: experiencing Bulgarian music118 cited
  • 1997The Ottoman Legacy in the Balkans62 cited
  • 1974THE SOVIET RUSSIAN CONCEPTS OF “INTONAZIA” AND “MUSICAL IMAGERY”55 cited
  • 2004The past in question: modern Macedonia and the uncertainties of nation55 cited
  • 1978Makam: Modal Practice in Turkish Art Music53 cited
  • 2005Turkish in Macedonia and beyond: Studies in Contact, Typology, and Other Phenomena in the Balkans and the Caucasus35 cited
  • 2002Bulgaria or Chalgaria: The Attenuation of Bulgarian Nationalism in a Mass-Mediated Popular Music25 cited
  • 2002Who is the “Other” in the Balkans? Local Ethnic Music as a Different Source of Identities in Bulgaria17 cited
  • 2004The Past in Question: Modern Macedonia and the Uncertainties of Nation17 cited
  • 1997An Attempt at a Synthetic Paradigm12 cited
  • 1990Recent Achievements in Soviet Ethnomusicology, with Remarks on Russian Terminology7 cited

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