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Themes and Double Themes: The Problem of the Symphonic in Brahms
10 references·2 citing·26 second hop
Themes and Double Themes: The Problem of the Symphonic in Brahms (1994)Themes and Double Themes: The Problem of …Ludwig van Beethoven: Approaches to His Music (1993)Ludwig van Beethoven: Approac…Ludwig van Beethoven: approaches to his music (1992)Ludwig van Beethoven: approac…Brahms studies: analytical and historical perspectives (1991)Brahms studies: analytical an…Nineteenth-century music (1989)Nineteenth-century musicBrahms and the Principle of Developing Variation (1986)Brahms and the Principle of D…Brahms-Analysen : Referate der Kieler Tagung 1983 (1984)Brahms-Analysen : Referate de…Introduction to the Sociology of Music. (1977)Introduction to the Sociology…Style and Idea (1950)Style and IdeaDie Sinfonie von Beethoven bis Mahler (1922)Die Sinfonie von Beethoven bi…Cours de composition musicale (1909)Cours de composition musicaleRethinking Brahms (2022)Rethinking BrahmsReforming Johannes: Brahms, Kreisler Junior and the Piano Trio in B, Op. 8 (2007)Reforming Johannes: Brahms, K…Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)Poetry and the Romantic Musical Aesthetic (2008)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Club cultures: music, media and subcultural capital (1996)Music as a technology of the self (1999)Tweets and the Streets : Social Media and Contemporary Activism (2012)Covert and Casual Values in Recent Writings about Music (1987)Liquidation, Augmentation, and Brahms's Recapitulatory Overlaps (1994)The Process of Janusian Thinking in Creativity (1971)Notes on improvisation and time in organizations (1999)The Onset of Language (2003)The Dahlhaus Project and Its Extra-Musicological Sources (1991)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)The Cambridge History of Music Criticism (2019)Wagner, Deafness, and the Reception of Beethoven's Late Style (1998)M eyer's Anvil: Revisiting the Schema Concept (2012)Brahms, Song Quotation, and Secret Programs (1995)Brahms and the Poetic Motto: A Hermeneutic Aid? (1997)Reception and Analysis: On the Brahms Quartets, Op. 51, Nos. 1 and 2 (1994)V ariation as T hematic A ctualisation : the C ase of B rahms 's O p . 9 (2012)Francesco Galeazzi's Description (1796) of Sonata Form (1968)Paris: Conflicting Notions of Progress (1991)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Not "Which" Tones? The Crux of Beethoven's Ninth (1998)The Aural Shock of Modernity: Weimar's Experience of Jazz (2007)The Viennese symphony 1750 to 1827 (2013)
this work references cited by second hop

References

  • 1977Introduction to the Sociology of Music.663 cited
  • 1989Nineteenth-century music628 cited
  • 1950Style and Idea204 cited
  • 1909Cours de composition musicale122 cited
  • 1991Brahms studies: analytical and historical perspectives122 cited
  • 1992Ludwig van Beethoven: approaches to his music107 cited
  • 1986Brahms and the Principle of Developing Variation75 cited
  • 1993Ludwig van Beethoven: Approaches to His Music70 cited
  • 1922Die Sinfonie von Beethoven bis Mahler41 cited
  • 1984Brahms-Analysen : Referate der Kieler Tagung 198335 cited

Cited by

  • 2022Rethinking Brahms11 cited
  • 2007Reforming Johannes: Brahms, Kreisler Junior and the Piano Trio in B, Op. 86 cited

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