SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
“We Sing Our Home, We Dance Our Land”: Indigenous Self-Determination and Contemporary Geopolitics in Australian Popular Music
16 references·16 citing·33 second hopsampled
“We Sing Our Home, We Dance Our Land”: Indigenous Self-Determination and Contemporary Geopolitics in Australian Popular Music (1998)“We Sing Our Home, We Dance Our Land”: In…Maps of Meaning (2010)Maps of MeaningGeographies of Exclusion (2002)Geographies of ExclusionEdge of Empire (2002)Edge of EmpireDangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Dangerous Crossroads: Popular…The rise and fall of popular music (1995)The rise and fall of popular …The Place of Music: [Introduction] (1995)The Place of Music: [Introduc…Rock and Popular Music: Politics, Policies, Institutions (1995)Rock and Popular Music: Polit…Popular music in geographical analyses (1995)Popular music in geographical…Ethnicity, Identity and Music. The Musical Construction of Place (1995)Ethnicity, Identity and Music…Locating Critical Geopolitics (1994)Locating Critical GeopoliticsBad Aboriginal Art: Tradition, Media, and Technological Horizons (1994)Bad Aboriginal Art: Tradition…The Geopolitical Aesthetic: Cinema and Space in the World System (1993)The Geopolitical Aesthetic: C…Cassette culture: popular music and technology in north India (1993)Cassette culture: popular mus…Disjuncture and Difference in the Global Cultural Economy (1990)Disjuncture and Difference in…Another boring day in paradise: rock and roll and the empowerment of everyday life (1984)Another boring day in paradis…Annals of the Association of American Geographers (1921)Annals of the Association of …Clashing cyphers, contagious content: The digital geopolitics of grime (2020)Clashing cyphers, contagious …“Far Back in American Time”: Culture, Region, Nation, Appalachia, and the Geography of Voice (2018)“Far Back in American Time”: …"Singing Trauma Trails": Songs of the Stolen Generations in Indigenous Australia (2010)"Singing Trauma Trails": Song…From the Bronx to the Wilderness: Inari‐Sami Rap, Language Revitalisation and Contested Ethnic Stereotypes (2009)From the Bronx to the Wildern…‘Failing on Deaf Ears’: A Postphenomenology of Sonorous Presence (2009)‘Failing on Deaf Ears’: A Pos…Radio geopolitics: broadcasting, listening and the struggle for acoustic spaces (2008)Radio geopolitics: broadcasti…The Art of Doing (Geographies of) Music (2007)The Art of Doing (Geographies…Music and moral geographies: Constructions of “nation” and identity in Singapore (2006)Music and moral geographies: …Geopolitics and ‘the vision thing’: regarding Britain and America's first nuclear missile (2006)Geopolitics and ‘the vision t…Géographie et musiques : état des lieux (2006)Géographie et musiques : état…Decolonizing the production of geographical knowledges? reflections on research with indigenous musicians (2006)Decolonizing the production o…Singing about nations within nations: Geopolitics and identity in Australian indigenous rock music (2000)Singing about nations within …Nitmiluk: Place and Empowerment in Australian Aboriginal Popular Music (2000)Nitmiluk: Place and Empowerme…Dancing with a Difference: Reconfiguring the Poetic Politics of Aboriginal Ritual as National Spectacle1 (2000)Dancing with a Difference: Re…Dancing with a Difference: Reconfiguring the Poetic Politics of Aboriginal Ritual as National Spectacle (2000)Dancing with a Difference: Re…'You Gotta Love This City': The Whitlams and inner Sydney (2000)'You Gotta Love This City': T…Time and the Other: How Anthropology Makes Its Object (1983)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Metaphors We Live By (2003)The Visible Evidence of Cultural Producers (2000)Settler colonialism and the transformation of anthropology (2001)Culture, Globalization, Mediation (2004)A Sweet Lullaby for World Music (2000)Youth and Cultural Practice (2002)The Racialization of Space and the Spatialization of Race: Theorizing the Hidden Architecture of Landscape (2007)Ethnicity, Identity and Music: The Musical Construction of Place by Martin Stokes (ed) (1995)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Regions and place: music, identity and place (2006)The Social Structure of Entrepreneurial Activity: Geographic Concentration of Footwear Production in the United States, 1940–1989 (2000)Performing tourism, staging tourism (2001)Introducing ACLED: An Armed Conflict Location and Event Dataset (2010)Deconstructing Regions: Notes on the Scales of Spatial Life (1991)Getting Personal: Reflexivity, Positionality, and Feminist Research∗ (1994)The Power of Commemorative Street Names (1996)Fences and neighbours in the postmodern world: boundary narratives in political geography (1998)Embodying emotion sensing space: introducing emotional geographies (2004)Understanding Home: A Critical Review of the Literature (2004)Dangerous Desires: Television and Erotics in Late Twentieth-Century India (2004)The Production of Culture Perspective (2004)World music: deterritorializing place and identity (2004)Scale: Discourse and Dimensions of Social Life (2016)Allegories of the Anthropocene (2019)Allegories of the Anthropocene (2019)Culture sits in places: reflections on globalism and subaltern strategies of localization (2001)Global and world cities: a view from off the map (2002)The 21st-Century Metropolis: New Geographies of Theory (2008)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1990Disjuncture and Difference in the Global Cultural Economy4,235 cited
  • 1921Annals of the Association of American Geographers1,423 cited
  • 2002Geographies of Exclusion1,286 cited
  • 2002Edge of Empire662 cited
  • 1993Cassette culture: popular music and technology in north India635 cited
  • 1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited
  • 1993The Geopolitical Aesthetic: Cinema and Space in the World System504 cited
  • 2010Maps of Meaning407 cited
  • 1995Ethnicity, Identity and Music. The Musical Construction of Place279 cited
  • 1994Bad Aboriginal Art: Tradition, Media, and Technological Horizons266 cited
  • 1995Popular music in geographical analyses231 cited
  • 1984Another boring day in paradise: rock and roll and the empowerment of everyday life216 cited
  • 1995Rock and Popular Music: Politics, Policies, Institutions155 cited
  • 1994Locating Critical Geopolitics131 cited
  • 1995The Place of Music: [Introduction]92 cited
  • 1995The rise and fall of popular music80 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

  • 2007The Art of Doing (Geographies of) Music159 cited
  • 2008Radio geopolitics: broadcasting, listening and the struggle for acoustic spaces136 cited
  • 2009‘Failing on Deaf Ears’: A Postphenomenology of Sonorous Presence90 cited
  • 2006Geopolitics and ‘the vision thing’: regarding Britain and America's first nuclear missile89 cited
  • 2006Music and moral geographies: Constructions of “nation” and identity in Singapore54 cited
  • 2006Géographie et musiques : état des lieux45 cited
  • 2000Singing about nations within nations: Geopolitics and identity in Australian indigenous rock music34 cited
  • 2006Decolonizing the production of geographical knowledges? reflections on research with indigenous musicians31 cited
  • 2020Clashing cyphers, contagious content: The digital geopolitics of grime27 cited
  • 2000Nitmiluk: Place and Empowerment in Australian Aboriginal Popular Music27 cited
  • 2000Dancing with a Difference: Reconfiguring the Poetic Politics of Aboriginal Ritual as National Spectacle127 cited
  • 2018“Far Back in American Time”: Culture, Region, Nation, Appalachia, and the Geography of Voice24 cited
  • 2009From the Bronx to the Wilderness: Inari‐Sami Rap, Language Revitalisation and Contested Ethnic Stereotypes17 cited
  • 2010"Singing Trauma Trails": Songs of the Stolen Generations in Indigenous Australia14 cited
  • 2000'You Gotta Love This City': The Whitlams and inner Sydney14 cited
  • 2000Dancing with a Difference: Reconfiguring the Poetic Politics of Aboriginal Ritual as National Spectacle11 cited