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The nationalistic fingerprint in nineteenth-century romantic chamber music
4 references·1 citing·15 second hop
The nationalistic fingerprint in nineteenth-century romantic chamber music (1979)The nationalistic fingerprint in nineteen…Cobbett's Cyclopedic Survey of Chamber Music (1964)Cobbett's Cyclopedic Survey o…Theories of Music and Musical Behavior (1963)Theories of Music and Musical…Cobbett's Cyclopedic Survey of Chamber Music (1963)Cobbett's Cyclopedic Survey o…The Characteristic Curves of Composition (1887)The Characteristic Curves of …The Concept of Musical Grammar (1983)The Concept of Musical GrammarThe Rhythmic Structure of Music (1962)Language in Relation to a Unified Theory of the Structure of Human Behavior (1967)A Theory of Semiotics (1976)Towards a generative syntax of tonal harmony (2011)A Robust Parser-Interpreter for Jazz Chord Sequences (2014)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)Identity-creators and image-makers: Using citation analysis and thick description to put authors in their place (2002)Empirical Studies of Media Bias (2015)A Model of Text for Experimentation in the Social Sciences (2016)Training in Music Theory: Process and Product (1969)Fame more fickle than fortune: On the distribution of literary eminence (1995)Learning to Listen: audiences for chamber music in early-Victorian London (1999)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Beethoven Syndrome (2020)
this work references cited by second hop

References

  • 1887The Characteristic Curves of Composition425 cited
  • 1964Cobbett's Cyclopedic Survey of Chamber Music65 cited
  • 1963Cobbett's Cyclopedic Survey of Chamber Music17 cited
  • 1963Theories of Music and Musical Behavior9 cited

Cited by

  • 1983The Concept of Musical Grammar45 cited

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