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“The New Visual Literature”: László Moholy-Nagy's Painting, Photography, Film
6 references·1 citing·21 second hop
“The New Visual Literature”: László Moholy-Nagy's Painting, Photography, Film (2008)“The New Visual Literature”: László Mohol…Time Exposure and Snapshot: The Photograph as Paradox (2013)Time Exposure and Snapshot: T…Limits of the Tactile and the Optical: Bauhaus Fabric in the Frame of Photography (2006)Limits of the Tactile and the…László Moholy-Nagy andPainting Photography Film: A guide to narrative montage (2006)László Moholy-Nagy andPaintin…“Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound (2003)“Tones from out of Nowhere”: …Suspensions of perception: Attention, spectacle, and modern culture (2001)Suspensions of perception: At…The Debate about Cinema: Charting a Controversy (1909-1929) (1987)The Debate about Cinema: Char…Don’t Judge a Book by Its Cover: Aenne Biermann’s 60 Photos (2022)Don’t Judge a Book by Its Cov…Popular Science Monthly. (1874)Tri-Ergon, Tobis-Klangfilm, and the Coming of Sound (1976)Musical Copyright and the U.S. Copyright Act of 1909 (1997)Sine Waves and Simple Acoustic Phenomena in Experimental Music - with Special Reference to the Work of La Monte Young and Alvin Lucier (2008)The Coupling of Cinematics and Kinematics (2014)On the Limits of Empathy (2006)Seurat's Media, or A Matrix of Materialities (2015)Screen Space Reconfigured (2020)Painting, Photography, Film (1978)Photography in the modern era : European documents and critical writings, 1913-1940 (1989)Photography between Narrativity and Stasis: August Sander, Degeneration, and the Decay of the Portrait (1996)A Neglected Tradition?Art History as Bildwissenschaft (2003)Stop Reading! Look! (2015)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Intensities of feeling: towards a spatial politics of affect (2004)Data Derivatives (2011)Photo-unrealism: The Contribution of the Camera to the Crisis of Ocularcentrism (1995)Dust Plate, Retina, Photograph: Imaging on Experimental Surfaces in Early Nineteenth-Century Physics (2015)Visual storytelling on Instagram: branded photo narrative and the role of telepresence (2020)Invisible Worlds, Visible: Uexküll'sUmwelt, Film, and Film Theory (2013)Suggestive verbalizations in film: on character speech and sensory imagination (2022)
this work references cited by second hop

References

  • 2001Suspensions of perception: Attention, spectacle, and modern culture551 cited
  • 2013Time Exposure and Snapshot: The Photograph as Paradox51 cited
  • 2003“Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound48 cited
  • 1987The Debate about Cinema: Charting a Controversy (1909-1929)38 cited
  • 2006Limits of the Tactile and the Optical: Bauhaus Fabric in the Frame of Photography20 cited
  • 2006László Moholy-Nagy andPainting Photography Film: A guide to narrative montage12 cited

Cited by

  • 2022Don’t Judge a Book by Its Cover: Aenne Biermann’s 60 Photos1 cited

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