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The History of Musical Pitch 1
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The History of Musical Pitch 1 (1880)The History of Musical Pitch 1Vocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Singing in the Victorian world: Tonic sol-fa and discourses of religion, science and Empire in the Cape Colony (2010)Singing in the Victorian worl…Alexander J. Ellis and His Place in the History of Ethnomusicology (2007)Alexander J. Ellis and His Pl…Hornbostel Opera Omnia (1976)Hornbostel Opera OmniaThe Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Grundzuge der Physiologischen Psychologie. (1911)Philosophie der symbolischen Formen (1923)Prinzipien der Sprachgeschichte (1995)Modèles linguistiques et analyse des structures musicales (2013)Imperial Eyes (1900)Imperial Eyes: Travel Writing and Transculturation. (1993)Imperial leather: race, gender and sexuality in the colonial contest (1996)Choral Research : A Global Bibliography (2010)Spreading the Gospel of Singbewegung (2013)Music and the Cultural Production of Scale (2023)On the Subject of Ethno-Musicology (1956)Afterword: a worldly musicology? (2013)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Music in the Early Colonial World (2019)
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Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2010Singing in the Victorian world: Tonic sol-fa and discourses of religion, science and Empire in the Cape Colony16 cited
  • 2007Alexander J. Ellis and His Place in the History of Ethnomusicology16 cited
  • 2012The performer and the composer10 cited
  • 1976Hornbostel Opera Omnia9 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited

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