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Programming philosophies and the rationalization of music radio
11 references·16 citing·42 second hop
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this work references cited by second hop

References

  • 1986Culture in Action: Symbols and Strategies8,658 cited
  • 1972Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems1,345 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 1988Popular Music and Communication.291 cited
  • 1951The Professional Dance Musician and His Audience289 cited
  • 1990Communities of discourse: ideology and social structure in the Reformation, the Enlightenment, and European socialism254 cited
  • 1989An Intermediary Between Production and Consumption: The Producer of Popular Music238 cited
  • 1979From Craft to Art190 cited
  • 1995Rock and Popular Music: Politics, Policies, Institutions155 cited
  • 1983The production of success: an anti-musicology of the pop song120 cited
  • 1998Cultural production and the corporation: musical genres and the strategic management of creativity in the US recording industry113 cited

Cited by

  • 2014On Automation in Media Industries: Integrating Algorithmic Media Production into Media Industries Scholarship90 cited
  • 2002“Will This Record Work for Us?”: Managing Music Formats in Commercial Radio44 cited
  • 2004Predicting cultural output diversity in the radio industry, 1989–200234 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2005Changing Market Information Regimes: A Case Study of the Transition to the BookScan Audience Measurement System in the U.S. Book Publishing Industry32 cited
  • 2009Double the Units: How Increasing the Number of Advertisements while Keeping the Overall Duration of Commercial Breaks Constant Affects Radio Listeners28 cited
  • 2008Die Fabrikation globaler Vielfalt24 cited
  • 2023Rampant Abstraction as a Strategy of Singularization: Genre on Spotify22 cited
  • 2010Smooth jazz: a case study in the relationships between commercial radio formats, audience research and music production16 cited
  • 2011Music Radio and the Record Industry: Songs, Sounds, and Power14 cited
  • 2007The Sociology of Music13 cited
  • 2004Rationalizing dissent? challenging conditions of low‐power FM radio11 cited
  • 2023Serendipity on radio and streaming: Between musical discovery and recognition9 cited
  • 2009Four Voices, One Canon?9 cited
  • 2008Maximizing the power of entertainment. The audience commodity in contemporary radio9 cited
  • 2006Reluctantly Virtual : Modelling Copyright Industry Dynamics9 cited
  • 2020«Context is the new genre»8 cited