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Wordless Rhetoric: Musical Form and the Metaphor of the Oration
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  • 2006Normalizing the Abnormal: Disability in Music and Music Theory172 cited
  • 1991Haydn, Laurence Sterne, and the Origins of Musical Irony134 cited
  • 1997Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century126 cited
  • 2011Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg73 cited
  • 2016Schumann's Music and E. T. A. Hoffmann's Fiction67 cited
  • 2003The characteristic symphony in the age of Haydn and Beethoven60 cited
  • 2017Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style56 cited
  • 2015Form as Process: The Buildup Introduction in Popular Music52 cited
  • 2009'Mutato semper habitu': Heinrich Schutz and the Culture of Rhetoric51 cited
  • 2017A Theory of Musical Gesture and its Application to Beethoven and Schubert45 cited
  • 2014Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea35 cited
  • 2012Remix Literacy and Fan Compositions35 cited
  • 1996The Retransition as Sign: Listener-Orientated Approaches to Tonal Closure in Haydn's Sonata-Form Movements32 cited
  • 2020Rethinking Mendelssohn31 cited

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  • 1993The Prophetic Conversation in Beethoven's “Scene by the Brook”31 cited
  • 2016Parametric Interaction in Tonal Repertoires29 cited