SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy
8 references·16 citing·37 second hop
Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy (2007)Non-Invasive Identification of White Pigm…Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis (2003)Non-invasive spectroscopic me…Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Fiber Optics Reflectance Spec…Modern analytical methods in art and archaeology (2000)Modern analytical methods in …Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Non-Destructive Spectroscopic…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…National Gallery Technical Bulletin (1979)National Gallery Technical Bu…Technical Studies in the Field of the Fine Arts (1977)Technical Studies in the Fiel…REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)REFLECTOGRAPHY OF PAINTINGS U…An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage (2024)An Introduction and Recent Ad…A new application of Fiber optics reflection spectroscopy (FORS): Identification of “bronze disease” induced corrosion products on ancient bronzes (2021)A new application of Fiber op…Reflectance imaging spectroscopy in heritage science (2020)Reflectance imaging spectrosc…Macroscopic x-ray powder diffraction imaging reveals Vermeer’s discriminating use of lead white pigments in Girl with a Pearl Earring (2019)Macroscopic x-ray powder diff…Hyperspectral imaging for artworks investigation (2019)Hyperspectral imaging for art…The white of the 20th century: an explorative survey into Dutch modern art collections (2018)The white of the 20th century…Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper (2018)Integrated X-ray fluorescence…Spectral Behavior of White Pigment Mixtures Using Reflectance, Ultraviolet—Fluorescence Spectroscopy, and Multispectral Imaging (2017)Spectral Behavior of White Pi…Time resolved laser induced fluorescence for characterization of binders in contemporary artworks (2016)Time resolved laser induced f…The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints (2016)The Colors of Keith Haring: A…Rembrandt's ‘Saul and David’ (c. 1652): Use of multiple types of smalt evidenced by means of non-destructive imaging (2016)Rembrandt's ‘Saul and David’ …Disclosing Jackson Pollock’s palette in Alchemy (1947) by non-invasive spectroscopies (2016)Disclosing Jackson Pollock’s …Panoramic, Macro and Micro Multispectral Imaging: An Affordable System for Mapping Pigments on Artworks (2015)Panoramic, Macro and Micro Mu…Rethinking the History of Artists' Pigments Through Chemical Analysis (2012)Rethinking the History of Art…On the discovery of an unusual luminescent pigment in Van Gogh’s painting “Les bretonnes et le pardon de pont Aven” (2011)On the discovery of an unusua…Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers (2011)Library of UV–Vis–NIR reflect…Ancient Egyptian Materials and Industries (1963)Heterogeneous distribution of metal nanocrystals in glazes of historical pottery (2002)A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials (2008)Painting Materials: A Short Encyclopedia (2011)A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)Pigment Identification by Fiber-Optics Diffuse Reflectance Spectroscopy (2002)Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)Dyes in History and Archaeology 41 (2023)Fluorescence of Paint and Varnish Layers (Part III) (1982)Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting (2007)An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques (2010)Pigments and Mixtures Identification by Visible Reflectance Spectroscopy (2013)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Exploring the transition from natural to synthetic dyes in the production of 19th-century Central Asian ikat textiles (2020)The molecular characterization of early synthetic dyes in E. Knecht et al's textile sample book “A Manual of Dyeing” (1893) by high performance liquid chromatography - Diode array detector - Mass spectrometry (HPLC-DAD-MS) (2021)Cross-Sections and Chemical Analysis of Paint Samples (1956)Near-infrared spectroscopic imaging in art conservation: investigation of drawing constituents (2003)Scanning Multispectral IR Reflectography SMIRR: An Advanced Tool for Art Diagnostics (2010)The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Reflectance Imaging Spectroscopy (RIS) for Operation Night Watch: Challenges and Achievements of Imaging Rembrandt’s Masterpiece in the Glass Chamber at the Rijksmuseum (2021)Research on the Organic Binders in Archaeological Wall Paintings (2021)Towards the non-destructive analysis of multilayered samples: A novel XRF-VNIR-SWIR hyperspectral imaging system combined with multiblock data processing (2022)Raman microscopy in archaeological science (2004)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Metal provenancing using isotopes and the Oxford archaeological lead isotope database (OXALID) (2009)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Identification of pigments by multispectral imaging; a flowchart method (2014)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)The Influence of Varnishes on the Appearance of Paintings (1987)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)Lead soaps in paintings: Friends or foes? (2016)
this work references cited by second hop

References

  • 2000Modern analytical methods in art and archaeology495 cited
  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 1979National Gallery Technical Bulletin346 cited
  • 1977Technical Studies in the Field of the Fine Arts124 cited
  • 1996Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass106 cited
  • 1969REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM105 cited
  • 2001Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings95 cited
  • 2003Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis84 cited

Cited by

  • 2011Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers65 cited
  • 2020Reflectance imaging spectroscopy in heritage science62 cited
  • 2021A new application of Fiber optics reflection spectroscopy (FORS): Identification of “bronze disease” induced corrosion products on ancient bronzes54 cited
  • 2024An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage51 cited
  • 2016Rembrandt's ‘Saul and David’ (c. 1652): Use of multiple types of smalt evidenced by means of non-destructive imaging51 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2012Rethinking the History of Artists' Pigments Through Chemical Analysis48 cited
  • 2019Macroscopic x-ray powder diffraction imaging reveals Vermeer’s discriminating use of lead white pigments in Girl with a Pearl Earring46 cited
  • 2016Disclosing Jackson Pollock’s palette in Alchemy (1947) by non-invasive spectroscopies45 cited
  • 2018Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper45 cited
  • 2016The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints43 cited
  • 2019Hyperspectral imaging for artworks investigation43 cited
  • 2015Panoramic, Macro and Micro Multispectral Imaging: An Affordable System for Mapping Pigments on Artworks41 cited
  • 2016Time resolved laser induced fluorescence for characterization of binders in contemporary artworks38 cited
  • 2018The white of the 20th century: an explorative survey into Dutch modern art collections35 cited
  • 2011On the discovery of an unusual luminescent pigment in Van Gogh’s painting “Les bretonnes et le pardon de pont Aven”35 cited
  • 2017Spectral Behavior of White Pigment Mixtures Using Reflectance, Ultraviolet—Fluorescence Spectroscopy, and Multispectral Imaging33 cited