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Cited by

• 2003White Skin, White Mask: Passing, Posing, and Performing in The Great Gatsby51 cited
• 2003The Cambridge companion to the musical40 cited
• 2001American musical theatre before the twentieth century37 cited
• 2017Shuffle and Repeat: A Review of George C. Wolfe’s Shuffle Along12 cited
• 1998Nineteenth-century popular music9 cited
• 1996In Search of Will Vodery8 cited
• 2019The Wiz Redux; or, Why Queer Black Feminist Spectatorship and Politically Engaged Popular Entertainment Continue to Matter7 cited
• 2001Of Blackface and Paranoid Knowledge: Richard Wright, Jacques Lacan, and the Ambivalence of Black Minstrelsy7 cited
• 1993“The Brightest Star”: Aida Overton Walker in the Age of Ragtime and Cakewalk6 cited
• 2012Slavery, performance, and the design of African American theatre5 cited
• 2007Just another Puerto Rican with a knife? Racism and reception on the Great White Way5 cited
• 2010Jamaica on Broadway: The Popular Caribbean and Mock Transnational Performance5 cited
• 2010Elmer Keeton and His Bay Area Negro Chorus: Creating an Artistic Identity in Depression-Era San Francisco3 cited
• 1998Art music from 1860 to 19203 cited