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A Year from Monday; New Lectures and Writings
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A Year from Monday; New Lectures and Writings (1969)A Year from Monday; New Lectures and Writ…The Cage Effect from a Serbian Perspective (2021)The Cage Effect from a Serbia…The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham (2018)The Gay Divorce of Music and …Records ruin the landscape: John Cage, the sixties, and sound recording (2014)Records ruin the landscape: J…Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: (2014)Indeterminacy, Free Improvisa…In re: ‘Experimental Music’ (2012)In re: ‘Experimental Music’Towards the Nuclear Sublime: Representations of Technological Vastness in Postmodern American Poetry (1989)Towards the Nuclear Sublime: …Coordination and Convention: The Organization of the Concert World (1987)Coordination and Convention: …Art and technology II. A call for collaboration (1969)Art and technology II. A call…The Sixties: Years of Hope, Days of Rage (1989)The Taming of Chance (1990)The Audible Past (2003)An archival feminist pedagogy: unlearning and objects as affective knowledge companions (2016)Transcription, Recording, and Authority in ‘Classic’ Minimalism (2017)The Names of Minimalism (2022)The Logic of Scientific Discovery. (1959)Silence : lectures and writings (2011)The Logic of Scientific Discovery (2013)Experiment! Towards an artistic epistemology (2015)THE MUSIC OF LAURENCE CRANE AND A POST-EXPERIMENTAL PERFORMANCE PRACTICE (2015)John Cage and Peter Yates (2019)Against Interpretation (1966)Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century (1969)Dada, Surrealism, and Their Heritage (1969)Computer graphics and art (1974)Why MIT Institutionalized the Avant-Garde: Negotiating Aesthetic Virtue in the Postwar Defense Institute (2013)Technocrats of the Imagination (2020)The Strategy of Conflict (1960)The Structure of Scientific Revolutions (1963)Markets and Hierarchies: Analysis and Antitrust Implications. (1976)Schools of Activity and Innovation (1988)The symphony: Organizational discourse and the symbolic tensions between artistic and business ideologies (2000)Music Worlds and Event Networks: An Exposition (2023)Poetry, Language, Thought (1972)The Question Concerning Technology, and Other Essays (1977)Speech Genres and Other Late Essays (1986)Experimental Music: Cage and Beyond (1975)Improvisation: Its Nature And Practice In Music (1980)The pasteurization of France (1988)FromMicrophonetothe Wire: Cultural change in 1970s and 1980s music writing (2019)“We also like to be surprised”: Disruption, provocation and surprise in the music of Christian Wolff (2020)Unmarked: The Politics of Performance (1994)Music—Drastic or Gnostic? (2004)Performing remains art and war in times of theatrical reenactment (2011)Bach and the Dance of Humankind (2020)Musicology and Dance (2020)George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux (2022)Experimentations (2016)“Different New Music in Yugoslavia”: The Earliest Minimalist Manifestations (2024)The Landscapes of Yugoslav Minimalism through the Lens of the Ensemble for Different New Music (1977–1987) (2024)
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  • 1987Coordination and Convention: The Organization of the Concert World63 cited
  • 2018The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham38 cited
  • 2014Records ruin the landscape: John Cage, the sixties, and sound recording37 cited
  • 1989Towards the Nuclear Sublime: Representations of Technological Vastness in Postmodern American Poetry25 cited
  • 2012In re: ‘Experimental Music’23 cited
  • 1969Art and technology II. A call for collaboration21 cited
  • 2014Indeterminacy, Free Improvisation, and the Mixed Avant-Garde:16 cited
  • 2021The Cage Effect from a Serbian Perspective8 cited

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