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Cited by

• 2001Kula Raha: Gendered discourses and the contours of leisure in Nairobi, 1946–6357 cited
• 1999Female Circles and Male Lines: Gender Dynamics along the Swahili Coast53 cited
• 2013Slavery and Emancipation in Islamic East Africa: From Honor to Respectability48 cited
• 2013Performance, monumentality and the ‘built exterior’ on the eastern African Swahili coast33 cited
• 2003Competitions in school festivals: A process of reinventing baakisimba music and dance of the Baganda (Uganda)18 cited
• 2000Reforming the circle: Fragments of the social history of a vernacular African dance form14 cited
• 2011THE BRANDED ARENA: UGANDAN ‘TRADITIONAL’ DANCE IN THE MARKETING ERA13 cited
• 2010On Dancing and Fishing: Joy and the Celebration of Fertility Among the Punu of Congo-Brazzaville12 cited
• 2001Competition and Conflict as a Framework for Understanding Performance Culture among the Urban Anlo-Ewe11 cited
• 2006Zulu Choral Music?Performing Identities in a New State9 cited
• 2019Introduction: dance in Africa and beyond: creativity and identity in a globalized world9 cited
• 1989‘Horses in the race course’: the domestication of ingoma dancing in South Africa, 1929–399 cited
• 2011Parading respectability: an ethnography of the Christmas bands movement in the Western Cape, South Africa5 cited