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Hollywood Musicals and the Invention of Rio de Janeiro, 1933-1953
11 references·3 citing·33 second hop
Hollywood Musicals and the Invention of Rio de Janeiro, 1933-1953 (2002)Hollywood Musicals and the Invention of R…Eros and Civilization (2012)Eros and CivilizationThe Cinematic City (2005)The Cinematic CityConsuming the exotic other (1995)Consuming the exotic otherThe American Film Musical (1994)The American Film MusicalColonial discourse/postcolonial theory (1994)Colonial discourse/postcoloni…The geopolitical aesthetic: cinema and space in the world system (1993)The geopolitical aesthetic: c…On Human Diversity: Nationalism, Racism, and Exoticism in French Thought (1993)On Human Diversity: Nationali…"The Lady in the Tutti-Frutti Hat": Carmen Miranda, a Spectacle of Ethnicity (1993)"The Lady in the Tutti-Frutti…Gender and culture of empire: Toward a feminist ethnography of the cinema (1991)Gender and culture of empire:…Blue Skies and Silver Linings: Aspects of the Hollywood Musical (1985)Blue Skies and Silver Linings…The Conquest of America: The Question of the Other (1982)The Conquest of America: The …Singing and Dancing in Widescreen (2022)Singing and Dancing in Widesc…Performing an Afro-Brazilian archetype: Transnational stage and celluloid representations of the black baiana (2020)Performing an Afro-Brazilian …The Fairest Cape of Them All? Cape Town in Cinematic Imagination (2009)The Fairest Cape of Them All?…The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Under Western Eyes: Feminist Scholarship and Colonial Discourses (1984)Civilized Colonialism:Pocahontasas Neocolonial Rhetoric (1996)GLOBAL IDENTITIES (2001)Belly Dancing: Arab-Face, Orientalist Feminism, and U.S. Empire (2008)Third-World Literature in the Era of Multinational Capitalism (2015)Multicultural Citizenship (1996)Politics in the Vernacular (2001)Justice Beyond Borders (2005)Introduction: Postcolonial Technoscience (2005)International Management Research Meets “The Rest of the World” (2008)Autoethnography (2009)Critical Theory, Poststructuralism, Postmodernism: Their Sociological Relevance (1991)Democracy and the Limits of Self-Government (2010)Max Horkheimer and the Foundations of the Frankfurt School (2011)The Global Politics of Contemporary Travel Writing (2006)What's the Point of an Index? or, Faking Photographs (2008)Introduction: Ablenationalism and the Geo-Politics of Disability (2010)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Practice of Cultural Studies (2004)The Princess and the Magic Kingdom: Beyond Nostalgia, the Function of the Disney Princess (2004)Rethinking Racism: Toward a Structural Interpretation (1997)Relations Before States: (1999)ON THE COLONIALITY OF BEING (2007)The Gang's All Here: Generic versus Racial Integration in the 1940s Musical by Sean Griffin (2002)The Global Banana Trade (2003)The Puerto Rican Lower East Side and the Queer Underground (2008)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)Popular Songs and Comic Allusion in Contemporary Cinema (2001)Film geography: A new subfield (2006)Film, geopolitics and the affective logics of intervention (2006)The Geography of cinema - a cinematic world (2006)
this work references cited by second hop

References

  • 1982The Conquest of America: The Question of the Other1,567 cited
  • 2012Eros and Civilization1,358 cited
  • 1993On Human Diversity: Nationalism, Racism, and Exoticism in French Thought605 cited
  • 1993The geopolitical aesthetic: cinema and space in the world system476 cited
  • 1994The American Film Musical212 cited
  • 1994Colonial discourse/postcolonial theory199 cited
  • 2005The Cinematic City161 cited
  • 1991Gender and culture of empire: Toward a feminist ethnography of the cinema126 cited
  • 1993"The Lady in the Tutti-Frutti Hat": Carmen Miranda, a Spectacle of Ethnicity118 cited
  • 1985Blue Skies and Silver Linings: Aspects of the Hollywood Musical109 cited
  • 1995Consuming the exotic other58 cited

Cited by

  • 2022Singing and Dancing in Widescreen17 cited
  • 2009The Fairest Cape of Them All? Cape Town in Cinematic Imagination8 cited
  • 2020Performing an Afro-Brazilian archetype: Transnational stage and celluloid representations of the black baiana3 cited

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