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See my virtual self: dissemination as a characteristic of digital photography – the example of Flickr.com
12 references·1 citing·31 second hop
See my virtual self: dissemination as a characteristic of digital photography – the example of Flickr.com (2009)See my virtual self: dissemination as a c…The Photographic Image in Digital Culture (2013)The Photographic Image in Dig…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Image Ethics in the Digital Age (2007)Image Ethics in the Digital A…What does the photoblog want? (2005)What does the photoblog want?Das digitale Bild gibt es nicht. Über das (Nicht-)Wissen der Bilder und die informatische Illusion (2003)Das digitale Bild gibt es nic…Camera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…The reconfigured eye: visual truth in the post-photographic era (1993)The reconfigured eye: visual …The reconfigured eye: Visual truth in the post-photographic era (1993)The reconfigured eye: Visual …Turning leaves: the photograph collections of two Japanese American families (1992)Turning leaves: the photograp…The Love of Art: European Art Museums and Their Public. (1991)The Love of Art: European Art…Photography: a middle-brow art (1991)Photography: a middle-brow artAn Introductory Essay (1968)An Introductory EssayPhoto Sharing (2017)Photo SharingImage Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (1992)Picturing Culture: Explorations of Film and Anthropology (2000)Documentary-for-the-Other: Relationships, Ethics and (Observational) Documentary (2011)Online news galleries, photojournalism and the photo essay (2012)What Is “Publicly Available Data”? Exploring Blurred Public–Private Boundaries and Ethical Practices Through a Case Study on Instagram (2019)Anti-Oedipus: Capitalism and Schizophrenia. (1978)We have never been modern (1994)Blog searching (2007)Visual Grounded Theory: A Methodological Outline and Examples from Empirical Work (2011)Hijabers: How young urban muslim women redefine themselves in Indonesia (2014)Disjuncture and Difference in the Global Cultural Economy (1990)Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters (2001)Multiliteracies: Lit Learning (2005)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)Production and consumption of European cultural tourism (1996)Problems in comparative research: The example of omnivorousness (2005)Art Infusion: The Influence of Visual Art on the Perception and Evaluation of Consumer Products (2008)Seeing health and illness worlds – using visual methodologies in a sociology of health and illness: a methodological review (2002)Family photographs and domestic spacings: a case study (2003)The Cultural Logic of Photo-Based Meme Genres (2014)Editorial: Mobilities, Immobilities and Moorings (2006)The Visual Dimension in Organizing, Organization, and Organization Research: Core Ideas, Current Developments, and Promising Avenues (2013)College student Web use, perceptions of information credibility, and verification behavior (2003)Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics (2008)Visual Sociology Reframed: An Analytical Synthesis and Discussion of Visual Methods in Social and Cultural Research (2010)A LIFE MORE PHOTOGRAPHIC (2008)Honour and Shame: Problems in the Comparative Analysis of Moral Systems (1980)Extending the Social Shaping of Technology Approach: Ideology and Appropriation (1992)Long-Term Economic Growth and the History of Technology (2005)
this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1991Photography: a middle-brow art1,059 cited
  • 1968An Introductory Essay450 cited
  • 1991The Love of Art: European Art Museums and Their Public.435 cited
  • 1993The reconfigured eye: visual truth in the post-photographic era409 cited
  • 2013The Photographic Image in Digital Culture371 cited
  • 1993The reconfigured eye: Visual truth in the post-photographic era284 cited
  • 2007Image Ethics in the Digital Age98 cited
  • 2005What does the photoblog want?90 cited
  • 1992Turning leaves: the photograph collections of two Japanese American families21 cited
  • 2003Das digitale Bild gibt es nicht. Über das (Nicht-)Wissen der Bilder und die informatische Illusion10 cited

Cited by

  • 2017Photo Sharing12 cited

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