SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Extensions on a Black Musical Tropology: From Trains to the Mothership (and Beyond)
14 references·1 citing·29 second hop
Extensions on a Black Musical Tropology: From Trains to the Mothership (and Beyond) (2011)Extensions on a Black Musical Tropology: …Know what I mean?: reflections on hip hop (2008)Know what I mean?: reflection…Encyclopedia of Rap and Hip Hop Culture (2006)Encyclopedia of Rap and Hip H…Encyclopedia of Rap and Hip Hop Culture (2005)Encyclopedia of Rap and Hip H…Rap music and street consciousness (2003)Rap music and street consciou…What the music said: black popular music and black public culture (1999)What the music said: black po…Blues and Gospel Records, 1890-1943 (1998)Blues and Gospel Records, 189…The Power of Black Music: Interpreting its History from Africa to the United States. (1997)The Power of Black Music: Int…The power of black music: interpreting its history from Africa to the United States (1995)The power of black music: int…Troping the Blues: From Spirituals to the Concert Hall (1993)Troping the Blues: From Spiri…Lyrical Protest: Black Music's Struggle against Discrimination (1992)Lyrical Protest: Black Music'…The Signifying Monkey: A Theory of Afro-American Literary Criticism (1989)The Signifying Monkey: A Theo…The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…'There ain't no black in the Union Jack' : the cultural politics of race and nation (1987)'There ain't no black in the …African American reviewAfrican American reviewExploring the Funkadelic Aesthetic: Intertextuality and Cosmic Philosophizing in Funkadelic’s Album Covers and Liner Notes (2013)Exploring the Funkadelic Aest…Diasporas (1994)Rethinking Racism: Toward a Structural Interpretation (1997)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)The Place of World Englishes in Composition: Pluralization Continued (2006)An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues , 1929-1937 (2002)Folklore, commercialism and exploitation: copyright in the blues (2006)The Common Stock of Schemes in Early Blues and Country Music (2013)Riffs, Repetition, and Theories of Globalization (1999)The Rise of a Jazz Art World (2002)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)“The Future of Our Worlds” (2008)Pushing intoPrecious: Black Women, Media Representation, and the Glare of the White Supremacist Capitalist Patriarchal Gaze (2013)Racial capitalism (2019)The Emperor Has No Clothes: Rewriting “Race in Organizations” (1992)If Meaning Is Constructed, What Is It Made From? Toward a Cultural Theory of Reading (2001)Is October Brown Chinese? A Cultural Modeling Activity System for Underachieving Students (2001)The Cambridge History of American Music (1998)Specters of Democracy (2011)Loving Music Till It Hurts (2019)“White Night”: Gentrification, Racial Exclusion, and Perceptions and Participation in the Arts (2011)Playing to the Crowd (2019)The Production of Culture Perspective (2004)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Misogyny in Rap Music (2009)Playing With Fire: Cycles of Domestic Violence in Eminem and Rihanna's “Love the Way You Lie” (2012)Gangs and gangsta rap in Chicago: A microscenes perspective (2013)How #Blacklivesmatter: exploring the role of hip-hop celebrities in constructing racial identity on Black Twitter (2017)
this work references cited by second hop

References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1987'There ain't no black in the Union Jack' : the cultural politics of race and nation2,609 cited
  • 1989The Signifying Monkey: A Theory of Afro-American Literary Criticism798 cited
  • n.d.African American review417 cited
  • 2003Rap music and street consciousness414 cited
  • 1995The power of black music: interpreting its history from Africa to the United States388 cited
  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.330 cited
  • 1999What the music said: black popular music and black public culture309 cited
  • 2008Know what I mean?: reflections on hip hop139 cited
  • 1998Blues and Gospel Records, 1890-194334 cited
  • 2005Encyclopedia of Rap and Hip Hop Culture17 cited
  • 1993Troping the Blues: From Spirituals to the Concert Hall11 cited
  • 1992Lyrical Protest: Black Music's Struggle against Discrimination10 cited
  • 2006Encyclopedia of Rap and Hip Hop Culture7 cited

Cited by

  • 2013Exploring the Funkadelic Aesthetic: Intertextuality and Cosmic Philosophizing in Funkadelic’s Album Covers and Liner Notes

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

6 cited