The Polyphony of Saint Martial and Santiago de Compostela

Carlos Villanueva · Theodore Karp

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Musicology and Musical Analysis Medieval Literature and History Medieval Iberian Studies

Abstract

The origins of a hypothesis the development of a hypothesis text underlay contrasting explanations of the polyphony the historical context of St Martial and Calixtine polyphony the notation of St Martial and Calixtine polyphony the effects of the main hypothesis. Appendices: common intervallic progressions in Calixtine polyphony common intervallic progressions among proses from B.N. lat. 3719 common intervallic progressions among proses from B.N. lat. 3549 comparable short-range harmonic progressions in the St martial and Notre Dame repertoires.

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