SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Multivalence, Ambiguity and Non-Ambiguity: Puccini and the Polemicists
6 references·0 citing·19 second hop
Multivalence, Ambiguity and Non-Ambiguity: Puccini and the Polemicists (1993)Multivalence, Ambiguity and Non-Ambiguity…Subjectivity and objectivity in Mozart performance (1991)Subjectivity and objectivity …Mozart's operas and the myth of musical unity (1990)Mozart's operas and the myth …Editing Puccini's Operas. The Case of "Manon Lescaut" (1990)Editing Puccini's Operas. The…Introduction. On Analyzing Opera (1989)Introduction. On Analyzing Op…"La solita forma" and "The Uses of Convention" (1987)"La solita forma" and "The Us…Beethoven Scholars and Beethoven's Sketches (1978)Beethoven Scholars and Beetho…ON MOZART'S RHYTHM (1956)Rivista Musicale Italiana (1897)Thayer's Life of Beethoven (1964)Modal representation in polyphonic offertories (1982)Studien zur Musikwissenschaft (1989)The Scientific Image of Music Theory (1989)The Beethoven Syndrome (2020)The Living Work: Organicism and Musical Analysis (1980)The Emancipation of Music From Language: Departure From Mimesis in Eighteenth-Century Aesthetics. (1987)The Idea of Absolute Music (1991)Mozart's art of rhetoric: understanding an opera seria aria (‘Deh se piacer mi vuoi’ fromLa clemenza di Tito) (1998)‘Too much music’: the media of opera (2012)The operatic event: opera houses and opera audiences (2012)Look and Spectatorship in Manon Lescaut (2008)Genre and content in mid-century Verdi: ‘Addio, del passato’ (La traviata, Act III) (1989)Verismo: Origin, Corruption, and Redemption of an Operatic Term (2007)Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera (2008)Crossed Stars and Crossed Tonal Areas in Puccini's Madama Butterfly" (1990)Chasing Rainbows: Wolf's “PHANOMEN” And Ideas of Coherence (2001)
this work references cited by second hop

References

  • 1987"La solita forma" and "The Uses of Convention"87 cited
  • 1978Beethoven Scholars and Beethoven's Sketches50 cited
  • 1990Mozart's operas and the myth of musical unity43 cited
  • 1989Introduction. On Analyzing Opera9 cited
  • 1990Editing Puccini's Operas. The Case of "Manon Lescaut"9 cited
  • 1991Subjectivity and objectivity in Mozart performance5 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work