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Going Viral: Live performance and documentation in the science laboratory
10 references·0 citing·34 second hop
Going Viral: Live performance and documentation in the science laboratory (2009)Going Viral: Live performance and documen…The Ethics of Experiential Engagement with the Manipulation of Life (2008)The Ethics of Experiential En…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Art Power (2008)Art PowerThe Performativity of Performance Documentation (2006)The Performativity of Perform…Biotechnology as Mediality: Strategies of organic media art (2006)Biotechnology as Mediality: S…Liminal Lives (2004)Liminal LivesParables for the Virtual (2002)Parables for the VirtualA Contagious Living Fluid (2002)A Contagious Living FluidUnmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Unmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Performance Analysis and Popular Music: A Manifesto (2004)Between narratives and lists: performing digital intangible heritage through global media (2013)Materializing Memory in Art and Popular Culture (2016)Dancing With Drones (2019)Gérard Genette Paratexts (1997)Paratexts: Thresholds of Interpretation (1997)Touch: Sensuous Theory And Multisensory Media (2002)Growing semi-living art (2008)Microperformativity and Biomediality (2020)Analysing bio-art’s epistemic landscape: from metaphoric to post-metaphoric structure (2022)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Innovation and Compliance in Making and Perceiving the Scientific Visualization of Viruses (2014)Writing the history of virology in the twentieth century: Discovery, disciplines, and conceptual change (2016)Do we need a posthumanist sociology? Notes from the COVID-19 pandemic (2022)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)Cultural Agency and Political Struggle in the Era of the Indio Permitido (2006)Microteaching: What is it that is going on here? (2007)Autotheory as Feminist Practice in Art, Writing, and Criticism (2021)Intensities of feeling: towards a spatial politics of affect (2004)Emotions and Social Movements: Twenty Years of Theory and Research (2011)The Turn to Affect: A Critique (2011)Geographic Information Systems and Medical Geography: Toward a New Synergy (2007)Embodying Digital Ageing: Ageing with Digital Health Technologies and the Significance of Inequalities (2017)Staging Embryos (2017)Art and gentrification: pursuing the urban pastoral in Hoxton, London (2011)Awards, archives, and affects: tropes in the World Press Photo contest 2009–11 (2013)Digitalization (2016)Creating the semi‐living: on politics, aesthetics and the more‐than‐human (2009)R. A. W. ASSMILK SOAP (2014)Biopunk Dystopias Genetic Engineering, Society and Science Fiction (2017)
this work references cited by second hop

References

  • 2002Parables for the Virtual4,608 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1994Unmarked: The Politics of Performance399 cited
  • 2006The Performativity of Performance Documentation311 cited
  • 2008Art Power248 cited
  • 2004Liminal Lives93 cited
  • 2008The Ethics of Experiential Engagement with the Manipulation of Life46 cited
  • 2002A Contagious Living Fluid27 cited
  • 2006Biotechnology as Mediality: Strategies of organic media art17 cited

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