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Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock
4 references·8 citing·37 second hop
Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock (2005)Modes, Scales, Functional Harmony, and No…Scale Networks and Debussy (2004)Scale Networks and DebussySchenkerian Analysis of Modern Jazz: Questions about Method (1998)Schenkerian Analysis of Moder…The Music of Alban Berg (1996)The Music of Alban BergCoordination of Interval Sizes in Seven-Tone Collections (1991)Coordination of Interval Size…Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving (2022)Melodic Transformation in Geo…Postbop Jazz in the 1960s (2019)Postbop Jazz in the 1960sChord-Scale Networks in the Music and Improvisations of Wayne Shorter (2018)Chord-Scale Networks in the M…Transformations in Tonal Jazz (2017)Transformations in Tonal JazzChick Corea and Postbop Harmony (2016)Chick Corea and Postbop Harmo…Ordered Step Motives in Jazz Standards (2013)Ordered Step Motives in Jazz …Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea (2012)Where Have I Known This Befor…Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 (2010)Modeling Diatonic, Acoustic, …Dissonant Prolongation: Theoretical and Compositional Precedents (1976)Style and music: theory, history, and ideology (1990)The New Grove Dictionary of Jazz (1994)Circular Thinking: A Roundtable on "Blue in Green" and "Nefertiti" (2016)Guide-Tone Space (2019)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Stravinsky and the Russian Traditions (1996)The Geometry of Musical Chords (2006)S cale T heory , S erial T heory and V oice L eading (2008)Schubert’s Harmonic Language and Fourier Phase Space (2015)Special Collections (2016)Structural Hearing; Tonal Coherence in Music (1953)Syntactic Structures (1957)Harmony and Voice Leading (1982)A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan (2004)Composition versus Improvisation? (2005)Notes on Harmony in Wayne Shorter's Compositions, 1964–67 (2005)The Technique of My Musical Language (1957)Materials and techniques of twentieth-century music (1984): A Guide to Schenkerian Analysis . David Neumeyer, Susan Tepping. (1993)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Remaking the Past (1990)Music in the Galant Style (2007)Audacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Prolongation and Its Limits: The Compositions of Wayne Shorter (2018)Thinking in Jazz (1994)Saying something: jazz improvisation and interaction (1997)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2012)Stories, Scripts, and Scenes: Aspects of Schema Theory (1984)Music as Discourse: Semiotic Adventures in Romantic Music (2008)Early Indian Heptatonic Scales and Recent Diatonic Theory (1993)Defining Modular Transformations (1999)Coherence and sameness in well-formed and pairwise well-formed scales (2007)The ♯IV(♭V) Hypothesis: Testing the Limits of Schenker's Theory of Tonality (1997)Prolongation of Harmonies Related to the Harmonic Series in Early Post-Tonal Music (2002)Dual Interval Space in Twentieth-Century Music (2003)
this work references cited by second hop

References

  • 2004Scale Networks and Debussy79 cited
  • 1998Schenkerian Analysis of Modern Jazz: Questions about Method52 cited
  • 1996The Music of Alban Berg36 cited
  • 1991Coordination of Interval Sizes in Seven-Tone Collections33 cited

Cited by

  • 2012Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea17 cited
  • 2010Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 196016 cited
  • 2016Chick Corea and Postbop Harmony12 cited
  • 2013Ordered Step Motives in Jazz Standards7 cited
  • 2019Postbop Jazz in the 1960s6 cited
  • 2022Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving4 cited
  • 2018Chord-Scale Networks in the Music and Improvisations of Wayne Shorter4 cited
  • 2017Transformations in Tonal Jazz4 cited

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