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Anatase—a pigment in ancient artwork or a modern usurper?

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References

2011Painting Materials: A Short Encyclopedia381 cited
2000Comparative pigment analysis of six modern Egyptian papyri and an authentic one of the 13th century BC by Raman microscopy and other techniques87 cited
2002Analysis of Pigmentary Materials on the Vinland Map and Tartar Relation by Raman Microprobe Spectroscopy74 cited

Cited by

2013Microanalysis of clay‐based pigments in painted artworks by the means of Raman spectroscopy59 cited
2007Raman microscopy as a structural and analytical tool in the fields of art and archaeology54 cited
2007The scientific investigation of artwork and archaeological artefacts: Raman microscopy as a structural, analytical and forensic tool43 cited
2017Raman characterization of XIV–XVI centuries Sardinian documents: Inks, papers and parchments38 cited
2010Multi‐technique investigation of archaeological pottery from Parma (Italy)33 cited
2011A remote scanning Raman spectrometer for in situ measurements of works of art27 cited
2016Raman spectroscopy in art and archaeology25 cited
2018Μicro-Raman spectroscopy for the characterization of rock-art pigments from Abrigo del Águila (Badajoz – Spain)25 cited
2008Analysis of South‐Asian Shaman paintings at the national museum of Denmark23 cited
2017Porcelain shards from Portuguese wrecks: Raman spectroscopic analysis of marine archaeological ceramics23 cited

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2019Identification of pigments in the Annunciation sculptural group (Cordoba, Spain) by micro-Raman spectroscopy22 cited

2021Recognition of fake paintings of the 20th-century Russian avant-garde using the physicochemical analysis of zinc white21 cited

2013Raman spectroscopy analysis of pigments on Diego Velázquez paintings21 cited

2015Raman, SEM–EDS and XRPD investigations on pre-Columbian Central America “estucado” pottery18 cited

2018The occurrence of a titanium dioxide/silica white pigment on wooden Andean qeros: a cultural and chronological marker18 cited

2019Luminescence of coprecipitated titanium white pigments: Implications for dating modern art15 cited