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Style, Voice, and Authorship in Harvey Pekar’s (Auto) (Bio)Graphical Comics
10 references·1 citing·31 second hop
Style, Voice, and Authorship in Harvey Pekar’s (Auto) (Bio)Graphical Comics (2011)Style, Voice, and Authorship in Harvey Pe…Self-Regarding Art (2008)Self-Regarding ArtReading comics: how graphic novels work and what they mean (2008)Reading comics: how graphic n…Autography's Biography, 1972–2007 (2008)Autography's Biography, 1972–…The system of comics (2007)The system of comicsRemoving the Experience: Simulacrum as an Autobiographical Act in American Splendor (2006)Removing the Experience: Simu…Autographics: The Seeing "I" of the Comics (2006)Autographics: The Seeing "I" …Alternative comics: an emerging literature (2006)Alternative comics: an emergi…Comic books as history: the narrative art of Jack Jackson, Art Spiegelman, and Harvey Pekar (1990)Comic books as history: the n…The Foucault Reader (1984)The Foucault ReaderHow to Draw Comics the Marvel Way (1978)How to Draw Comics the Marvel…Postcolonial Graphic Lifewriting: Finding My Way and the Subaltern Public Sphere (2018)Postcolonial Graphic Lifewrit…The body in pain (1985)Fun Home: A Family Tragicomic (2006)The Space Between: A Narrative Approach to Alison Bechdel’s Fun Home (2011)Hospice Comics: Representations of Patient and Family Experience of Illness and Death in Graphic Novels (2014)Working it Through: Trauma and Autobiography in Phoebe Gloeckner’s A Child’s Life and The Diary of a Teenage Girl (2015)Comics and Sequential Art (1985)Understanding Comics: The Invisible Art (1998)Globalization and the Claims of Postcoloniality (2001)Autographic Disclosures and Genealogies of Desire in Alison Bechdel's Fun Home (2008)Graphic medicine: comics as medical narrative (2012)The Logic of Sense (1969)Simulacra and Simulation (1995)Present Pasts: Urban Palimpsests and the Politics of Memory (2003)The Transformations of Harvey Pekar’s American Splendor : “Ordinary Life Is Pretty Complex Stuff” (2014)Digital Biography: Capturing Lives Online (2009)Bodies That Matter (2011)Online Lives 2.0: Introduction (2015)Showing/Sharing: Analysing Visual Communication from a Praxeological Perspective (2017)Inventing the Truth: The Art and Craft of Memoir (1988)Postmodernism and the Social Sciences (1992)The Politics of Space, Time and Substance: State Formation, Nationalism, and Ethnicity (1994)Seizing the Middle Ground: (1997)Introduction: Coloring America: Multi-Ethnic Engagements with Graphic Narrative (2007)Navigating Comics: An Empirical and Theoretical Approach to Strategies of Reading Comic Page Layouts (2013)Critical Literacies and Graphic Novels for English‐Language Learners: Teaching Maus (2009)Looking on the Dark and Bright Side: Creative Metaphors of Depression in Two Graphic Memoirs (2014)The Cambridge Companion to the Graphic Novel (2017)A librarian's guide to Marvel Comics (1998)Science comics as tools for science education and communication: a brief, exploratory study (2009)The graphic novel an introduction (2015)The potential of comics in science communication (2018)
this work references cited by second hop

References

  • 1984The Foucault Reader3,032 cited
  • 2006Alternative comics: an emerging literature643 cited
  • 2008Reading comics: how graphic novels work and what they mean307 cited
  • 2006Autographics: The Seeing "I" of the Comics284 cited
  • 1990Comic books as history: the narrative art of Jack Jackson, Art Spiegelman, and Harvey Pekar202 cited
  • 2007The system of comics200 cited
  • 2008Self-Regarding Art76 cited
  • 2008Autography's Biography, 1972–200756 cited
  • 1978How to Draw Comics the Marvel Way30 cited
  • 2006Removing the Experience: Simulacrum as an Autobiographical Act in American Splendor17 cited

Cited by

  • 2018Postcolonial Graphic Lifewriting: Finding My Way and the Subaltern Public Sphere5 cited

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