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:Guilty Creatures: Renaissance Poetry and the Ethics of Authorship
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:Guilty Creatures: Renaissance Poetry and the Ethics of Authorship (2003):Guilty Creatures: Renaissance Poetry and…Theatrum Mundi and Milton's Theater of the Blind in Samson Agonistes (2011)Theatrum Mundi and Milton's T…Maids, Wives and Widows: Multiple Meaning and Marriage in The Witch of Edmonton (2006)Maids, Wives and Widows: Mult…‘She has that in her belly will dry up your ink’: Femininity as Challenge in the ‘Equitable Drama’ of John Webster (2005)‘She has that in her belly wi…A winter's snake: dramatic form in the tragedies of John Webster (1990)Review of The Usurer's Daughter: Male Friendship and Fictions of Women in Sixteenth-Century England by Lorna Hutson (1995)Strategies of Submission: Desdemona, the Duchess, and the Assertion of Desire (1996)Gendering Pathos on the Early Modern Stage: (2015)European Literature and the Latin Middle Ages (1956)The Subject of Tragedy: Identity and Difference in Renaissance Drama (1987)A Rhetoric of Motives (2017)Scolding Brides and Bridling Scolds: Taming the Woman's Unruly Member (1991)The Hanging Tree: Execution and the English People, 1770-1868 (1996)Demon Lovers: Witchcraft, Sex and the Crisis of Belief (2003)Scepticism and belief in English witchcraft drama, 1538–1681 (2019)
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  • 2006Maids, Wives and Widows: Multiple Meaning and Marriage in The Witch of Edmonton7 cited
  • 2005‘She has that in her belly will dry up your ink’: Femininity as Challenge in the ‘Equitable Drama’ of John Webster5 cited
  • 2011Theatrum Mundi and Milton's Theater of the Blind in Samson Agonistes5 cited

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