SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Information Theory for Musical Continua
0 references·11 citing·30 second hop
Information Theory for Musical Continua (1981)Information Theory for Musical ContinuaPartition Entropy as a Measure of Regularity of Music Scales (2024)Partition Entropy as a Measur…The Justification of Music-structural Claims (2008)The Justification of Music-st…An investigation into the linear and nonlinear correlation of two music walk sequences (2008)An investigation into the lin…Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music (2007)Towards Greater Objectivity i…Journal of Music Theoryover the Years (2006)Journal of Music Theoryover t…Pitch and Pitch Structures (2004)Pitch and Pitch StructuresA bibliography of statistical applications in musicology (1997)A bibliography of statistical…Measuring Musical Originality Using Information Theory (1992)Measuring Musical Originality…Entropy as a Measure of Musical Style: The Influence of a Priori Assumptions (1990)Entropy as a Measure of Music…Variations in Musical Syntax (1989)Variations in Musical SyntaxThe Clustering of Temporal Elements in Melody (1987)The Clustering of Temporal El…Syntactic Structures (1957)Consciousness and the Computational Mind (1988)The cognitive revolution: a historical perspective (2003)Thematic fame, melodic originality, and musical zeitgeist: A biographical and transhistorical content analysis. (1980)Entropy as a Measure of Style: The Influence of Sample Length (1983)A Time Analysis of the Compositional Processes Used by Children Ages 7 to 11 (1989)Discrimination and Perceptual Knowledge (1976)A Guide to Musical Analysis (1988)The Cambridge History of Western Music Theory (2002)Contemplating Music: Challenges to Musicology (1989)Playing with Signs (1991)The Literature of Bibliometrics, Scientometrics, and Informetrics (2001)Style as Information (1958)Information Theory and Esthetic Perception (1967)Exploring the Rhythm of the Palestrina Style (2012)Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music (2021)Art as Experience (1934) (2026)MEANING IN MUSIC AND INFORMATION THEORY (1957)USING THE MUTUAL INFORMATION COEFFICIENT TO IDENTIFY LAGS IN NONLINEAR MODELS (1994)Mutual information: a measure of dependency for nonlinear time series (2004)Human behavior and the principle of least effort (1949)Human Behaviour and the Principle of Least Effort. (1950)Style and music: theory, history, and ideology (1990)Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung (2016)Phonology and Syntax: The Relation between Sound and Structure (1984)Intonational phonology (1996)Perceiving, Acting and Knowing (2017)Variety and Multiplicity in Diatonic Systems (1985)Aspects of Well-Formed Scales (1989)Maximally Even Sets (1991)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2007Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music36 cited
  • 1987The Clustering of Temporal Elements in Melody33 cited
  • 1990Entropy as a Measure of Musical Style: The Influence of a Priori Assumptions31 cited
  • 2004Pitch and Pitch Structures23 cited
  • 1997A bibliography of statistical applications in musicology17 cited
  • 2006Journal of Music Theoryover the Years13 cited
  • 1992Measuring Musical Originality Using Information Theory8 cited
  • 2008An investigation into the linear and nonlinear correlation of two music walk sequences6 cited
  • 2024Partition Entropy as a Measure of Regularity of Music Scales4 cited
  • 2008The Justification of Music-structural Claims4 cited
  • 1989Variations in Musical Syntax4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work