The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Così fan tutte

Andrew Steptoe

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Musicology and Musical Analysis Theater, Performance, and Music History Literature, Musicology, and Cultural Analysis

Abstract

The social context: Vienna and her ruler Musicians, opera, and audience in Mozart's time Mozart and Vienna Mozart and his personal circle Da Ponte and the Buffa plot Cosi fan tutte and contemporary morality Mozart and Opera Buffa Drama and musical form in Le nozze di Figaro Don Giovanni: musical form and dramatic cohesion Cosi fan tutte Epilogue Appendix: casts of characters, plot synopses, and musical outlines for the three operas

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2004Three Modes of Perception in Mozart 2006The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music 2017Varieties of Musical Irony 2017Varieties of Musical Irony: From Mozart to Mahler 2004Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte 2004The comic mode 2012The dramaturgy of opera 1991Opera and Republican Virtue: Beethoven's "Fidelio"

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