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Natural Dyes: Sources, Tradition, Technology and Science
0 references·16 citing·46 second hopsampled
Natural Dyes: Sources, Tradition, Technology and Science (2007)Natural Dyes: Sources, Tradition, Technol…Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Review of recent advances on …Analysis of Natural Dyes from Historical Objects by High Performance Liquid Chromatography and Electromigration Techniques (2020)Analysis of Natural Dyes from…Creation and reference characterization of Edo period Japanese woodblock printing ink colorant samples using multimodal imaging and reflectance spectroscopy (2019)Creation and reference charac…Historical mystery solved: a multi-analytical approach to the identification of a key marker for the historical use of brazilwood ( Caesalpinia spp.) in paintings and textiles (2018)Historical mystery solved: a …Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) (2018)Fibre optic reflectance spect…Identification of natural red and purple dyes on textiles by Fiber-optics Reflectance Spectroscopy (2017)Identification of natural red…SERS Discrimination of Closely Related Molecules: A Systematic Study of Natural Red Dyes in Binary Mixtures (2016)SERS Discrimination of Closel…Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Methodological evolutions of …Chemical analysis of dyes on an Uzbek ceremonial coat: Objective evidence for artifact dating and the chemistry of early synthetic dyes (2016)Chemical analysis of dyes on …Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique (2015)Non-invasive identification o…HPLC-DAD-MS analysis of colorant and resinous components of lac-dye: A comparison between Kerria and Paratachardina genera (2015)HPLC-DAD-MS analysis of color…Dyes of late Bronze Age textile clothes and accessories from the Yanghai archaeological site, Turfan, China: Determination of the fibers, color analysis and dating (2014)Dyes of late Bronze Age texti…Identification and partial characterization of C-glycosylflavone markers in Asian plant dyes using liquid chromatography–tandem mass spectrometry (2011)Identification and partial ch…HPLC–DAD–MS analysis of dyes identified in textiles from Mount Athos (2011)HPLC–DAD–MS analysis of dyes …Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)Historical organic dyes: a su…Analysis of natural red dyes (cochineal) in textiles of historical importance using HPLC and multivariate data analysis (2011)Analysis of natural red dyes …High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)Development of Mild Extraction Methods for the Analysis of Natural Dyes in Textiles of Historical Interest Using LC-Diode Array Detector-MS (2005)The Colourful Past - Origins, Chemistry and Identification of Natural Dyestuffs (2005)Structure elucidation and chromatographic identification of anthraquinone components of cochineal (Dactylopius coccus) detected in historical objects (2013)The Cambridge History of Early Inner Asia (1990)Archaeological Textiles: A Review of Current Research (2001)The invention of trousers and its likely affiliation with horseback riding and mobility: A case study of late 2nd millennium BC finds from Turfan in eastern Central Asia (2014)Natural dyes in madder (Rubiaspp.) and their extraction and analysis in historical textiles (2017)Profiling by HPLC-DAD-MSD reveals a 2500-year history of the use of natural dyes in Northwest China (2021)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)The natural constituents of historical textile dyes (2004)Identification of unknown colorants in pre-Columbian textiles dyed with American cochineal (Dactylopius coccus Costa) using high-performance liquid chromatography and tandem mass spectrometry (2014)Investigation of crimson-dyed fibres for a new approach on the characterization of cochineal and kermes dyes in historical textiles (2015)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)SERS detection of red organic dyes in Ag‐agar gel (2012)A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS) (2014)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Hyperspectral imaging for artworks investigation (2019)Near-UV to mid-IR reflectance imaging spectroscopy of paintings on the macroscale (2019)Review on Analysis Methods Enabled by Hyperspectral Imaging for Cultural Relic Conservation (2023)Surface-Enhanced Raman Spectroscopy: A Direct Method to Identify Colorants in Various Artist Media (2009)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)A new multi analytical approach for the identification of synthetic and natural dyes mixtures. The case of orcein-mauveine mixture in a historical dress of a Sicilian noblewoman of nineteenth century (2017)Nanotechnologies and Nanomaterials (2018)Compositional and Micro-Morphological Characterisation of Red Colourants in Archaeological Textiles from Pharaonic Egypt (2019)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii (2018)Critical evaluation of portable Raman spectrometers: From rock outcrops and planetary analogs to cultural heritage – A review (2021)In situ Raman spectroscopy for cultural heritage studies (2021)Accelerated Aging, Photochemical and Thermal Aspects (1996)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Non-invasive study of natural dyes on historical textiles from the collection of Michelangelo Guggenheim (2018)Exploring the transition from natural to synthetic dyes in the production of 19th-century Central Asian ikat textiles (2020)A new application of Fiber optics reflection spectroscopy (FORS): Identification of “bronze disease” induced corrosion products on ancient bronzes (2021)National Gallery Technical Bulletin (1979)Characterisation of chemical components for identifying historical Chinese textile dyes by ultra high performance liquid chromatography – photodiode array – electrospray ionisation mass spectrometer (2016)Dyes and biological sources in nineteenth to twentieth century ethnographic textiles from Transylvania, Romania (2019)Universal analytical method for characterization of yellow and related natural dyes in liturgical vestments from Krakow (2020)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)Application of Uniform Manifold Approximation and Projection (UMAP) in spectral imaging of artworks (2021)
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  • 2011Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4118 cited
  • 2018Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD)97 cited
  • 2016Methodological evolutions of Raman spectroscopy in art and archaeology89 cited
  • 2011HPLC–DAD–MS analysis of dyes identified in textiles from Mount Athos85 cited
  • 2017Identification of natural red and purple dyes on textiles by Fiber-optics Reflectance Spectroscopy80 cited
  • 2011Analysis of natural red dyes (cochineal) in textiles of historical importance using HPLC and multivariate data analysis75 cited
  • 2014Dyes of late Bronze Age textile clothes and accessories from the Yanghai archaeological site, Turfan, China: Determination of the fibers, color analysis and dating73 cited
  • 2015Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique50 cited
  • 2016SERS Discrimination of Closely Related Molecules: A Systematic Study of Natural Red Dyes in Binary Mixtures49 cited
  • 2018Historical mystery solved: a multi-analytical approach to the identification of a key marker for the historical use of brazilwood ( Caesalpinia spp.) in paintings and textiles46 cited
  • 2016Chemical analysis of dyes on an Uzbek ceremonial coat: Objective evidence for artifact dating and the chemistry of early synthetic dyes44 cited

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  • 2011Identification and partial characterization of C-glycosylflavone markers in Asian plant dyes using liquid chromatography–tandem mass spectrometry42 cited
  • 2015HPLC-DAD-MS analysis of colorant and resinous components of lac-dye: A comparison between Kerria and Paratachardina genera40 cited
  • 2019Creation and reference characterization of Edo period Japanese woodblock printing ink colorant samples using multimodal imaging and reflectance spectroscopy38 cited
  • 2020Analysis of Natural Dyes from Historical Objects by High Performance Liquid Chromatography and Electromigration Techniques31 cited
  • 2022Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks31 cited