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Recurring Dreams and Moving Images: The Cinematic Appropriation of Schumann's Op. 15, No. 7
7 references·0 citing·18 second hop
Recurring Dreams and Moving Images: The Cinematic Appropriation of Schumann's Op. 15, No. 7 (2011)Recurring Dreams and Moving Images: The C…The Pleasures of Ambiguity: Using Classical Music in Film (2017)The Pleasures of Ambiguity: U…Ears Wide Open: Kubrick’s Music (2017)Ears Wide Open: Kubrick’s Mus…Schumann's piano cycles and the novels of Jean Paul (2004)Schumann's piano cycles and t…Public Performance and Private Understanding: Clara Wieck's Concerts in Berlin (2003)Public Performance and Privat…‘Music Has No Meaning to Speak of’: On the Politics of Musical Interpretation (1993)‘Music Has No Meaning to Spea…Highbrow Lowbrow: The Emergence of Cultural Hierarchy in America (1988)Highbrow Lowbrow: The Emergen…The Aesthetics of Robert Schumann (1969)The Aesthetics of Robert Schu…The Romantic Generation (1995)Higher Echoes of the Past in the Finale of Schumann's 1842 Piano Quartet (2004)Luces y sombras en los estudios sobre las mujeres y la música (2010)Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism (2017)Schumann's "Im Legendenton" and Friedrich Schlegel's "Arabeske" (1987)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Stop the Press? The Changing Media of Music Criticism (2019)The same old songs in Reagan-era teen film (2012)“Indulging in Romance with Wagner”: Tristan in Lars von Trier’s Melancholia (2011) (2016)Baroque Music in Post-War Cinema: Performance Practice and Musical Style (2021)The Palgrave Handbook of Sound Design and Music in Screen Media (2016)Sound Design is the New Score (2019)L'ère de la culture-marchandise (1999)The Formation of the Revolutionary Middle Class during the Mexican Revolution (2012)Decontaminating Taste: Minimizing Nona esthetic Biases in Aesthetic Appraisal (2016)Diplomatic Notes: American Musicians and Cold War Politics in the Near and Middle East, 1954?60 (2004)Von Kühen und Hasen. Der Tagtraum von der Autonomie »der« Musik (und einige Gedanken zu deren Eigenästhetik) (2018)Performing Knowledge (2020)
this work references cited by second hop

References

  • 1988Highbrow Lowbrow: The Emergence of Cultural Hierarchy in America175 cited
  • 1969The Aesthetics of Robert Schumann46 cited
  • 2003Public Performance and Private Understanding: Clara Wieck's Concerts in Berlin45 cited
  • 1993‘Music Has No Meaning to Speak of’: On the Politics of Musical Interpretation32 cited
  • 2004Schumann's piano cycles and the novels of Jean Paul15 cited
  • 2017Ears Wide Open: Kubrick’s Music15 cited
  • 2017The Pleasures of Ambiguity: Using Classical Music in Film13 cited

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