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VISCERAL CULTURE: BLUSHING AND THE LEGIBILITY OF WHITENESS IN EIGHTEENTH‐CENTURY BRITISH PORTRAITURE
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Cited by

  • 2009“Reading” whiteness in consumer research78 cited
  • 2017How Skin Color Became a Racial Marker: Art Historical Perspectives on Race47 cited
  • 2005BODILY AND PICTORIAL SURFACES: SKIN IN FRENCH ART AND MEDICINE, 1790–186029 cited
  • 2005Indian Yellow23 cited
  • 2014Curating Inequality: The Link between Cultural Reproduction and Race in the Visual Arts22 cited
  • 2013Mutton Dressed as Lamb? Fashioning Age in Georgian England17 cited
  • 2024Labour of the Stitch14 cited
  • 2016The Aesthetics of Colonialism: George Chinnery’s Portrait of Gilbert Elliot, 1st Earl of Minto, 181213 cited
  • 2016Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity12 cited
  • 2016Thomas Lawrence’s Consumptive Chic: Reinterpreting Lady Manners’s Hectic Flush in 17945 cited
  • 2013Picturing Race: Early Modern Constructions of Racial Identity3 cited
  • 2019Antiquity and Modernity in Neoclassical Dress: The Confluence of Ancient Greece and Colonial India1 cited

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