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De chaque côté de l'Atlantique, deux parcours féministes en art
6 references·0 citing·17 second hop
De chaque côté de l'Atlantique, deux parcours féministes en art (2007)De chaque côté de l'Atlantique, deux parc…Why Have There Been No Great Women Artists? (2018)Why Have There Been No Great …Husbands, Wives and Lovers: Marriage and Its Discontents in Nineteenth-Century France (2003)Husbands, Wives and Lovers: M…The End of the Salon: Art and the State in the Early Third Republic. (1995)The End of the Salon: Art and…Art and Politics of the Second Empire: The Universal Expositions of 1855 and 1867 (1989)Art and Politics of the Secon…The Academy and French Painting in the Nineteenth Century (1986)The Academy and French Painti…Image of the People: Gustave Courbet and the 1848 Revolution (1973)Image of the People: Gustave …Death and Afterlife in Modern France (1992)Love and Theft: The Racial Unconscious of Blackface Minstrelsy (1992)Sociability in the Metropole: Modernism’s Bohemian Salons (2009)Postmodernism and the Public Sphere: Implications for an Historical Ethnography (1992)Bad Hair Days in the Paleolithic: Modern (Re)Constructions of the Cave Man (1999)Art history and the global: deconstructing the latest canonical narrative (2019)France Embraces Millet: The Intertwined Fates of "The Gleaners" and "The Angelus" (2003)The Decline and Fall of the Paris Salon : a Study of the Deinstitutionalization Pro cess of a Field Configuring Event in the Cultural Activities (2011)The Paradox of Controversial Innovation: Insights From the Rise of Impressionism (2016)The Simplex Located in Art Worlds (1979)Capitalizing Art Education: Mapping International Histories (2007)Marché et hiérarchie (2008)Esquisse d'une épistémologie de la théorisation féministe en art (2007)Putting Intellectual Property in its Place (2014)“It’s just art”: auteur apologism in the post-Weinstein era (2018)Housewife or Harlot?: Sex and the Married Woman in Nineteenth-Century France (2008)Operatic Borrowing in Stephen Sondheim’s Sweeney Todd (2019)
this work references cited by second hop

References

  • 2018Why Have There Been No Great Women Artists?172 cited
  • 1973Image of the People: Gustave Courbet and the 1848 Revolution143 cited
  • 1989Art and Politics of the Second Empire: The Universal Expositions of 1855 and 186786 cited
  • 1986The Academy and French Painting in the Nineteenth Century34 cited
  • 1995The End of the Salon: Art and the State in the Early Third Republic.34 cited
  • 2003Husbands, Wives and Lovers: Marriage and Its Discontents in Nineteenth-Century France21 cited

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