Racialized Masculinities and the New Homonormativity in LOGO'sNoah's Arc

Gust A. Yep · John P. Elia

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Gender and Feminist Studies Gender, Feminism, and Media Cultural Identity and Representation

Abstract

Examining the relationship between neoliberalism, race, and gender performance, this article provides an analysis of Noah's Arc, a popular LOGO television series in the United States. More specifically, it focuses on the intricate relationship between specific forms of racialized masculinities and the new homonormativity in this show. This article is divided into six sections. First, an overview of the LOGO series is provided. Next, gay, lesbian, and queer visibility in mainstream U.S. popular culture and the new homonormativity are examined. Third, the relationship between race and masculinity is discussed. Next, a close reading and analysis of the show is provided. Fifth, an exploration of how representations of Noah's Arc queers and "quares" Black masculinity in U.S. culture is undertaken. Finally, some concluding thoughts on representations of racialized masculinities and homonormativity in this popular television series are offered.

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References

1984Sister Outsider: Essays and Speeches 2015This bridge called my back : writings by radical women of color 1999Disidentifications: Queers Of Color And The Performance Of Politics 1990Epistemology of the Closet 2007Terrorist Assemblages 2004The twilight of equality?: neoliberalism, cultural politics, and the attack on democracy 1994Fear of a Queer Planet: Queer Politics and Social Theory.2017Terrorist Assemblages: Homonationalism in Queer Times

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2013THE ‘AUSSIE BATTLER’ AND THE HEGEMONY OF CENTRALISING WORKING-CLASS MASCULINITY IN AUSTRALIA 2014Intersectionality and Quare Theory: Fantasizing African American Male Same-Sex Relationships inNoah's Arc: Jumping the Broom 2018Deaf Queer world-making: A thick intersectional analysis of the mediated cultural body

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