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Polus and his URN: A case study in the theory of acting, c. 300 b.c.—c. a.d. 2000
8 references·1 citing·26 second hop
Polus and his URN: A case study in the theory of acting, c. 300 b.c.—c. a.d. 2000 (2005)Polus and his URN: A case study in the th…The Life of Mr. Thomas Betterton, (2019)The Life of Mr. Thomas Better…Masks or Faces?: A Study in the Psychology of Acting (2014)Masks or Faces?: A Study in t…Paradoxe sur le Comedien (2009)Paradoxe sur le ComedienGreek and Roman Actors: Aspects of an Ancient Profession (2003)Greek and Roman Actors: Aspec…The Subjectivity of Greek Performance (2002)The Subjectivity of Greek Per…The New Encyclopaedia Britannica (1991)The New Encyclopaedia Britann…6 Versuch einer Critischen Dichtkunst (1742) (1971)6 Versuch einer Critischen Di…The life of Mr. Thomas Betterton, the late eminent tragedian : wherein the action and utterance of the state, bar, and pulpit, are distinctly consider'd, with the judgment of de St. Évremond, upon the Italian and French music and opera's, in a letter to the Duke of Buckingham (1970)The life of Mr. Thomas Better…Ancient Reperformances of Sophocles (2015)Ancient Reperformances of Sop…The Athenian Institution of the Khoregia: The Chorus, the City and the Stage (2001)Pots and Plays: Interactions between Tragedy and Greek Vase-Painting of the Fourth Century B.c. (2008)Lycurgan Athens and the Making of Classical Tragedy (2014)Female Characters in Fragmentary Greek Tragedy (2020)Hearing the Dead: the Sound of David Garrick (2007)The Cambridge History of Literary Criticism (1997)Militia amoris (2013)The Cambridge Companion to Latin Love Elegy (2013)Actress to Activist: Mlle Clairon in the Public Sphere of the 1760s (1994)The actor's bodies (1997)The French Enlightenment and the Emergence of Modern Cynicism (2012)The competence of theatre audiences in fifth- and fourth-century Athens (2006)Seneca’s Tragedies and the Aesthetics of Pantomime (2014)Seneca’s Originality (2015)Reading Fiction with Lucian (2014)The Method behind the madness: Katie Mitchell, Stanislavski, and the classics (2014)Minds on Stage (2023)United Company Finances, 1682–1692 (1981)The Origins of the Actor Benefit in London (1984)“Mobile statuary”: Refractions of pantomime dancing from Callistratus to Emma Hamilton and Andrew Ducrow (2004)Origins of the modern mind: three stages in the evolution of culture and cognition (1992)Federal Republic of Nigeria (2009)The Flipped Classroom: A Survey of the Research (2020)Henry James, Women and Realism (2007)Domestic Melodrama (2018)Gothic Melodrama (2018)
this work references cited by second hop

References

  • 1991The New Encyclopaedia Britannica1,583 cited
  • 2003Greek and Roman Actors: Aspects of an Ancient Profession335 cited
  • 19716 Versuch einer Critischen Dichtkunst (1742)278 cited
  • 2009Paradoxe sur le Comedien59 cited
  • 2014Masks or Faces?: A Study in the Psychology of Acting58 cited
  • 2002The Subjectivity of Greek Performance45 cited
  • 2019The Life of Mr. Thomas Betterton,36 cited
  • 1970The life of Mr. Thomas Betterton, the late eminent tragedian : wherein the action and utterance of the state, bar, and pulpit, are distinctly consider'd, with the judgment of de St. Évremond, upon the Italian and French music and opera's, in a letter to the Duke of Buckingham13 cited

Cited by

  • 2015Ancient Reperformances of Sophocles35 cited

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