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NESIAN STYLES (RE) PRESENT R‘N’ B: THE APPROPRIATION, TRANSFORMATION AND REALIZATION OF CONTEMPORARY R'N'B WITH HIP HOP BY URBAN PASIFIKA GROUPS IN AOTEAROA
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NESIAN STYLES (RE) PRESENT R‘N’ B: THE APPROPRIATION, TRANSFORMATION AND REALIZATION OF CONTEMPORARY R'N'B WITH HIP HOP BY URBAN PASIFIKA GROUPS IN AOTEAROA (2005)NESIAN STYLES (RE) PRESENT R‘N’ B: THE AP…Polynesian Music and Dance (2023)Polynesian Music and DancePretty in Punk: Girls' Gender Resistance in a Boys' Subculture (2001)Pretty in Punk: Girls' Gender…Interpreting Popular Music (2000)Interpreting Popular MusicJawaiian Music and Local Cultural Identity in Hawai’i (1998)Jawaiian Music and Local Cult…Sold out on soul: The corporate annexation of black popular music (1997)Sold out on soul: The corpora…Rock Aesthetics and Musics of the World (1997)Rock Aesthetics and Musics of…Interpreting world music: a challenge in theory and practice (1997)Interpreting world music: a c…Spectacular vernaculars: hip-hop and the politics of postmodernism (1996)Spectacular vernaculars: hip-…Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania (1996)Popular Music and Local Ident…Hip hop: from live performance to mediated narrative (1996)Hip hop: from live performanc…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Theorizing the Body in African-American Music (1994)Theorizing the Body in Africa…Culture Versus Commerce: The Marketing of Black Popular Music (1994)Culture Versus Commerce: The …Subcultural Sounds: Micromusics of the West (1993)Subcultural Sounds: Micromusi…Black looks: race and representation (1992)Black looks: race and represe…Blues fell this morning: meaning in the blues (1990)Blues fell this morning: mean…The Long Revolution (1961)We gotta get out of this place: popular conservatism and postmodern culture (1992)A Sweet Lullaby for World Music (2001)Time, Place, and Metaphor in Musical Experience and Ethnography (2003)The Location of Culture (2012)Listening to the World but Hearing Ourselves: Hybridity and Perceptions of Authenticity in World Music (2014)Outline of a Theory of Practice (1977)Discipline and Punish: The Birth of the Prison (1978)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Hip-Hop Drumming: The Rhyme May Define, but the Groove Makes You Move (2002)The global hip-hop Diaspora: Understanding the culture (2007)Perceptions of the Motivational Climate, Need Satisfaction, and Indices of Well- and Ill-Being among Hip Hop Dancers (2009)Discipline and Punish: The Birth of the Prison. (1978)Gender Trouble: Feminism and the Subversion of Identity (1991)Imperial Eyes: Travel Writing and Transculturation. (1993)Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory (1996)Gunther Schuller and the Challenge of Sonny Rollins: (2014)THE DISAPPEARING DANCE: MAXIXE'S IMPERIAL ERASURE (2016)Evil Deceivers and Make-Believers: On Transphobic Violence and the Politics of Illusion (2007)Intersectionality as buzzword (2008)The unbearable heaviness of climate coloniality (2022)What's that Smell? (2003)Those Naughty Teenage Girls: Japanese Kogals, Slang, and Media Assessments (2004)What is Resistance? (2005)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Racial Authenticity in Rap Music and Hip Hop (2008)Cultural Criminology and the Politics of Meaning (2013)Translocal style communities (2015)The Cambridge History of American Music (1998)Triadic Modal and Pentatonic Patterns in Rock Music (2010)Voice, place and genre in popular song performance1 (2011)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Consolidating the music scenes perspective (2004)The post-subcultural turn: some reflections 10 years on (2011)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)
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References

  • 1992Black looks: race and representation4,673 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1993Subcultural Sounds: Micromusics of the West465 cited
  • 2001Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture220 cited
  • 1996Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania215 cited
  • 2000Interpreting Popular Music178 cited
  • 1996Spectacular vernaculars: hip-hop and the politics of postmodernism117 cited
  • 1997Interpreting world music: a challenge in theory and practice100 cited
  • 1996Hip hop: from live performance to mediated narrative95 cited
  • 1994Theorizing the Body in African-American Music87 cited
  • 1990Blues fell this morning: meaning in the blues84 cited
  • 1997Sold out on soul: The corporate annexation of black popular music76 cited
  • 1997Rock Aesthetics and Musics of the World47 cited
  • 1994Culture Versus Commerce: The Marketing of Black Popular Music43 cited
  • 2023Polynesian Music and Dance20 cited
  • 1998Jawaiian Music and Local Cultural Identity in Hawai’i

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