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‘Collaborative creativity’ within a jazz ensemble as a musical and social practice
16 references·9 citing·29 second hop
‘Collaborative creativity’ within a jazz ensemble as a musical and social practice (2014)‘Collaborative creativity’ within a jazz …The Oxford handbook of music education (2013)The Oxford handbook of music …Musical Creativities in Practice (2012)Musical Creativities in Pract…A comparison of modes of communication between members of a string quartet and a jazz sextet (2009)A comparison of modes of comm…Explaining Creativity: The Science of Human Innovation (2007)Explaining Creativity: The Sc…Analyzing Qualitative Data (2007)Analyzing Qualitative DataThe Individual and Social Worlds of Children's Musical Creativity (2006)The Individual and Social Wor…Group creativity: musical performance and collaboration (2006)Group creativity: musical per…Explaining Creativity: The Science of Human Innovation (2006)Explaining Creativity: The Sc…Modes of communication during jazz improvisation (2005)Modes of communication during…Group creativity: music, theater, collaboration (2003)Group creativity: music, thea…Social and Musical Co-Ordination between Members of a String Quartet: An Exploratory Study (2002)Social and Musical Co-Ordinat…Qualitative Interviewing: The Art of Hearing Data (1996)Qualitative Interviewing: The…Thinking in Jazz: The Infinite Art of Improvisation (1995)Thinking in Jazz: The Infinit…Thinking in jazz: the infinite art of improvisation (1995)Thinking in jazz: the infinit…Situated Learning: Legitimate Peripheral Participation. (1994)Situated Learning: Legitimate…Real World Research: A Resource for Social Scientists and Practitioner-Researchers (1993)Real World Research: A Resour…Pedagogical Approaches in Modern Band (2022)Pedagogical Approaches in Mod…A Space for Collaborative Creativity. How Collective Improvising Shapes ‘a Sense of Belonging’ (2021)A Space for Collaborative Cre…Talk for collaborative learning in computer-based music production (2019)Talk for collaborative learni…Co-creation experiences in the music business: a systematic literature review (2019)Co-creation experiences in th…Apprenticing the jazz performer through ensemble collaboration: A qualitative enquiry (2019)Apprenticing the jazz perform…All together now: A review of the Mary Immaculate College children’s choir (2016)All together now: A review of…Creativity in virtual spaces: Communication modes employed during collaborative online music composition (2015)Creativity in virtual spaces:…Collaborative Creativity in STEAM: Narratives of Art Education Students' Experiences in Transdisciplinary Spaces (2015)Collaborative Creativity in S…Beginning a journey with music education: Voices from pre-service primary teachers (2015)Beginning a journey with musi…Flow: the psychology of optimal experience (1990)Situated Learning (1991)Educating for innovation (2006)Combining creativity and control: Understanding individual motivation in large-scale collaborative creativity (2011)The neurochemistry and social flow of singing: bonding and oxytocin (2015)Assessing creativity with divergent thinking tasks: Exploring the reliability and validity of new subjective scoring methods. (2008)What is agency? Conceptualizing professional agency at work (2013)STEAM in practice and research: An integrative literature review (2018)Good practice in the conduct and reporting of survey research (2003)The qualitative content analysis process (2008)Qualitative Content Analysis (2014)The qualitative interview in IS research: Examining the craft (2007)The qualitative research interview (2011)The online survey as a qualitative research tool (2020)Situated Cognition and the Culture of Learning (1989)Organizational Learning and Communities-of-Practice: Toward a Unified View of Working, Learning, and Innovation (1991)What Video Games Have to Teach Us about Learning and Literacy (2004)Organizational Improvisation and Organizational Memory (1998)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)Rewriting the Language of Creativity: The Five A's Framework (2012)Husserl, intersubjectivity and anthropology (2010)Brand Performances in Social Media (2012)Self-determination theory applied to flow in conservatoire music practice: The roles of perceived autonomy and competence, and autonomous and controlled motivation (2017)Teaching Improvisation through Processes. Applications in Music Education and Implications for General Education (2017)Class, Control, and Classical Music (2019)A Practical Iterative Framework for Qualitative Data Analysis (2009)Comparison of Quantitative and Qualitative Research Traditions: epistemological, theoretical, and methodological differences (2013)Document analysis in health policy research: the READ approach (2020)
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References

  • 1994Situated Learning: Legitimate Peripheral Participation.39,454 cited
  • 1996Qualitative Interviewing: The Art of Hearing Data11,180 cited
  • 1993Real World Research: A Resource for Social Scientists and Practitioner-Researchers6,223 cited
  • 2007Analyzing Qualitative Data4,295 cited
  • 2007Explaining Creativity: The Science of Human Innovation1,269 cited
  • 2006Explaining Creativity: The Science of Human Innovation1,076 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 2012Musical Creativities in Practice507 cited
  • 2003Group creativity: music, theater, collaboration490 cited
  • 2006Group creativity: musical performance and collaboration374 cited
  • 1995Thinking in Jazz: The Infinite Art of Improvisation291 cited
  • 2013The Oxford handbook of music education284 cited
  • 2002Social and Musical Co-Ordination between Members of a String Quartet: An Exploratory Study255 cited
  • 2005Modes of communication during jazz improvisation164 cited
  • 2009A comparison of modes of communication between members of a string quartet and a jazz sextet117 cited
  • 2006

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The Individual and Social Worlds of Children's Musical Creativity
67 cited

Cited by

  • 2015Creativity in virtual spaces: Communication modes employed during collaborative online music composition58 cited
  • 2021A Space for Collaborative Creativity. How Collective Improvising Shapes ‘a Sense of Belonging’33 cited
  • 2015Beginning a journey with music education: Voices from pre-service primary teachers24 cited
  • 2019Co-creation experiences in the music business: a systematic literature review23 cited
  • 2019Apprenticing the jazz performer through ensemble collaboration: A qualitative enquiry20 cited
  • 2015Collaborative Creativity in STEAM: Narratives of Art Education Students' Experiences in Transdisciplinary Spaces7 cited
  • 2022Pedagogical Approaches in Modern Band6 cited
  • 2019Talk for collaborative learning in computer-based music production5 cited
  • 2016All together now: A review of the Mary Immaculate College children’s choir4 cited