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Hollywood and the Holocaust: Remembering The Pawnbroker
10 references·0 citing·28 second hop
Hollywood and the Holocaust: Remembering The Pawnbroker (1996)Hollywood and the Holocaust: Remembering …Indelible shadows film and the Holocaust (2003)Indelible shadows film and th…A People Divided: Judaism in Contemporary America. (1994)A People Divided: Judaism in …A History of the Jews in America (1992)A History of the Jews in Amer…Screening the holocaust: cinema's images of the unimaginable (1989)Screening the holocaust: cine…United Artists: the company that changed the film industry (1988)United Artists: the company t…Oral History (1983)Oral HistoryThe Literary Adaptation (1982)The Literary AdaptationWhen the Shooting Stops...the Cutting Begins: A Film Editor's Story (1979)When the Shooting Stops...the…The Holocaust and the Literary Imagination (1976)The Holocaust and the Literar…A short history of the movies (1971)A short history of the moviesSidney Lumet: film and literary vision (1992)Trespassing Through Shadows: Memory, Photography, And The Holocaust (1998)Double Visions: Queer Femininity and Holocaust Film from Ostatni Etap to Aimée & Jaguar (2007)Musical Witness and Holocaust Representation (2015)Eruvim: Talmudic places in a postmodern world (2002)Is America “Different”?: A Critique of American Jewish Exceptionalism (2010)The Civic Empowerment Gap: Defining the Problem and Locating Solutions (2010)Separation and its discontents: toward an evolutionary theory of anti-Semitism (1998)Jewish Identity, Denomination and Denominational Mobility (1999)American Jews and the Construction of Israel's Jewish Identity (2000)Strategic responses to three kinds of uncertainty: Product line simplicity at the Hollywood film studios (1999)Cultural Uniqueness and Aesthetic Cosmopolitanism (2007)The movie theater as an institutional space and framework of signification: Hale's Tours and film historiography (2009)'Options - for the way you want to live now', or a Magazine for Superwoman (1983)Unpacking Priscilla: Subjectivity and Identity in the Organization of Gendered Appearance (1997)Gender, Sexuality, and Toughness: The Bad Girls of Action Film and Comic Books (2004)Qualitative Analysis and Documentary Method: In International Educational Research (2010)Communicative and Cultural Memory (2011)Collecting and Interpreting Qualitative Materials (2012)Wounds of Memory: The Politics of War in Germany (2009)Authoring war: the literary representation of war from the Iliad to Iraq (2012)Third-Generation Holocaust Representation : Trauma, History, and Memory (2017)The Politics of Pageantry, 1936-1946 (1996)History Died for Our Sins: Guilt and Responsibility in Hollywood Redemption Histories (1998)Critical laughter: humor, popular culture and Israeli Holocaust commemoration (2006)Wilder’s Mensch: United Artists and the Critique of Fordism (2014)So alike yet so different: A typology of interorganisational projects (2018)“Good Oriental Setting”: Negotiating San Francisco Locations for The Killer Elite (2019)
this work references cited by second hop

References

  • 1983Oral History428 cited
  • 1976The Holocaust and the Literary Imagination222 cited
  • 2003Indelible shadows film and the Holocaust122 cited
  • 1988United Artists: the company that changed the film industry117 cited
  • 1992A History of the Jews in America98 cited
  • 1989Screening the holocaust: cinema's images of the unimaginable91 cited
  • 1971A short history of the movies75 cited
  • 1982The Literary Adaptation73 cited
  • 1994A People Divided: Judaism in Contemporary America.60 cited
  • 1979When the Shooting Stops...the Cutting Begins: A Film Editor's Story20 cited

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