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Stacked Canon and Renaissance Compositional Procedure
0 references·6 citing·18 second hop
Stacked Canon and Renaissance Compositional Procedure (1997)Stacked Canon and Renaissance Composition…Approaching renaissance music using Taneyev's theories of movable counterpoint (2018)Approaching renaissance music…The origins of pervasive imitation (2015)The origins of pervasive imit…"So you want to write a canon?" An historically-informed new approach for the modern theory class (2008)"So you want to write a canon…Morley's rule for first-species canon (2006)Morley's rule for first-speci…FURTHER OBSERVATIONS ON STACKED CANON AND RENAISSANCE COMPOSITIONAL Procedure: Gascongne'sISTA EST SPECIOSAAND Forestier'sMISSA L'homme Arme (2001)FURTHER OBSERVATIONS ON STACK…Rameau and Zarlino: Polemics in the "Traité de l'harmonie" (2000)Rameau and Zarlino: Polemics …A Plaine and Easie Introduction to Practicall Musicke (1938)A Practical Approach to Sixteenth-Century Counterpoint (1987)Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (2018)The art of counterpoint (1968)Music and the French Enlightenment: reconstruction of a dialogue, 1750-1764 (1993)The Harvard dictionary of music (2003)Citation and authority in medieval and Renaissance musical culture : learning from the learned (2005)Le Istitutioni Harmoniche (1967)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)The Oxford history of western music (2004)Metric Manipulations in Post-Tonal Music (2020)Discant, Counterpoint, and Harmony (1962)The motet around 1500 on the relationship of imitation and text treatment ? (2012)Contrapunto Fugato: A First Step Toward Composing in the Mind (2020)A Multimodal Analysis of Hommage à Marina Tsvetayeva by Sofia Gubaidulina (2021)"La Courone et fleur des chansons a troys": A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano (1973)Diatonicficta (1984)Symbolic Scores (1994)
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  • 2018Approaching renaissance music using Taneyev's theories of movable counterpoint24 cited
  • 2006Morley's rule for first-species canon19 cited
  • 2008"So you want to write a canon?" An historically-informed new approach for the modern theory class19 cited
  • 2000Rameau and Zarlino: Polemics in the "Traité de l'harmonie"16 cited
  • 2015The origins of pervasive imitation9 cited
  • 2001FURTHER OBSERVATIONS ON STACKED CANON AND RENAISSANCE COMPOSITIONAL Procedure: Gascongne'sISTA EST SPECIOSAAND Forestier'sMISSA L'homme Arme4 cited

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