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Nil sub sale novi is particularly true with regard to Dantean studies. Old mistakes are constantly turning up in modern works, and new discoveries are announced for which more than one antecedent could be easily recalled. Having professed myself profoundly aware of this, I need scarcely disclaim any pretension to absolute originality for the views that I wish to submit, although I cannot recollect any work, except a very recent one of Bertoni's, in which the points that I am going to raise have been looked upon from the angle I have chosen. In a field of study so often traversed I may perhaps be allowed to restrict my references within the narrowest limits; for it would be as easy as it would be superfluous to swell my remarks into a lengthy article. My object, on the contrary, is merely to suggest an angle from which certain aspects of Dante's work may be envisaged with advantage, and in no way to impair the validity of other views.
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