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Myth, Science, and the Power of Music in the Early Decades of the Royal Society
16 references·1 citing·29 second hop
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References

  • 2001The history of the Royal Society of London for the improving of natural knowledge472 cited
  • 1966Newton and the ‘Pipes of Pan’290 cited
  • 1982Science and Society in Restoration England.250 cited
  • 1985Totius in Verba: Rhetoric and Authority in the Early Royal Society215 cited
  • 1954The Survival of the Pagan Gods; the Mythological Tradition and its Place in Renaissance Humanism and Art145 cited
  • 1961Ancients and Moderns: A Study of the Rise of the Scientific Movement in Seventeenth Century England131 cited
  • 2010Pseudodoxia Epidemica: Or, Enquiries Into Very Many Received Tenents, and Commonly Presumed Truths125 cited
  • 1988The wake of imagination: Ideas of creativity in Western culture98 cited
  • 1981The origins of modern musical criticism: French and Italian music, 1600-175097 cited
  • 1992Defenders of the Text: The Traditions of Scholarship in an Age of Science, 1450-180093 cited
  • 1995The Second Sense: Studies in Hearing and Musical Judgement from Antiquity to the Seventeenth Century90 cited
  • 1960THE QUARREL OF THE ANCIENTS AND THE MODERNS79 cited
  • 1991Some english theories of hearing in the seventeenth century: before and after Descartes78 cited
  • 1989Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries61 cited

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1989
Meter in Music, 1600-1800. Performance, Perception, and Notation
54 cited
  • 2007Francis Bacon and the Refiguring of Early Modern Thought: Essays to Commemorate 'The Advancement of Learning', 1605-200544 cited
  • Cited by

    • 2021Música y filosofía (de la música): estado de la cuestión. Una revisión de problemas, discusiones y perspectivas4 cited