The Language of Passion: Gesture and Melodrama in Niccolo Tommaseo's Fede e bellezza

Abstract

By the time Tommaseo wrote and then published Fede e bellezza (FB) in 1840, the second term of his novel's title, "bellezza," had become a particularly poignant and layered one. It represented the latest intellectual development and literary interpretation of a central philosophical notion which had (pre-)occupied the Dalmatian writer since his youth and which would continue to do so in subsequent years. 1

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 0 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.