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Dead Man's Town: "Born in the U.S.A.," Social History, and Working-Class Identity
14 references·7 citing·33 second hop
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this work references cited by second hop

References

  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 1998The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit1,043 cited
  • 1993Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century.721 cited
  • 1971The Emerging Republican Majority501 cited
  • 1991Making a New Deal: Industrial Workers in Chicago, 1919-1939442 cited
  • 1995Rainbow at midnight: labor and culture in the 1940s373 cited
  • 1984America's Working Man330 cited
  • 1997White Guys: Studies in Post-Modern Domination and Difference245 cited
  • 2012What’s the Matter with Kansas?178 cited
  • 1993Working class war: American combat soldiers and Vietnam151 cited
  • 2004Beyond the ruins: the meanings of deindustrialization136 cited
  • 1997The Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-on Collision of Rock and Commerce66 cited
  • 2001Write Me a Few of Your Lines: A Blues Reader52 cited
  • 2001A race of singers: Whitman's working-class hero from Guthrie to Springsteen45 cited

Cited by

  • 2014Class as a semiotic resource in consumer advertising: Markedness, heteroglossia, and commodity temporalities

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17 cited
  • 2016Mobilities, Materialities, and the Changing Meanings of Pittsburgh Speech14 cited
  • 2017From Potosí to Tennessee14 cited
  • 2011Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype13 cited
  • 2011Sweet Home America: Imagining the Small Town in Country Music and American Culture8 cited
  • 2016Meaning and Affect in Popular Music5 cited
  • 2010When job aids attack: On the social history of dubious job aids2 cited