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Characterization of Brown-Black and Blue Pigments in Glazed Pottery Fragments from Castel Fiorentino (Foggia, Italy) by Raman Microscopy, X-Ray Powder Diffractometry and X-Ray Photoelectron Spectroscopy
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Characterization of Brown-Black and Blue Pigments in Glazed Pottery Fragments from Castel Fiorentino (Foggia, Italy) by Raman Microscopy, X-Ray Powder Diffractometry and X-Ray Photoelectron Spectroscopy (1997)Characterization of Brown-Black and Blue …Making and working Egyptian blue – a review of the archaeological evidence (2023)Making and working Egyptian b…Post-15th century European glass beads in southern Africa: Composition and classification using pXRF and Raman spectroscopy (2020)Post-15th century European gl…Micro-Raman spectral identification of manganese oxides black pigments in an archaeological context in Northern Chile (2015)Micro-Raman spectral identifi…The influence of UV–Vis radiation, and oscillations of temperature and relative humidity, on malachite alteration in the presence of different organic binders and varnishes (2014)The influence of UV–Vis radia…A multianalytical study of archaeological faience from the Vesuvian area as a valid tool to investigate provenance and technological features (2011)A multianalytical study of ar…Black painted pottery, Kildehuse II, Odense County, Denmark (2010)Black painted pottery, Kildeh…Micro‐Raman and portable Raman spectroscopic investigation of blue pigments in selected Delft plates (17–20th Century) (2009)Micro‐Raman and portable Rama…Raman and SEM Studies of Man-made Barium Copper Silicate Pigments in Ancient Chinese Artifacts (2006)Raman and SEM Studies of Man-…Lapis lazuli usage for blue decoration of polychrome painted glazed pottery: a recurrent technology during the Middle Ages in Apulia (Southern Italy) (2006)Lapis lazuli usage for blue d…Application of confocal Raman spectroscopy to thin polymer layers on highly scattering substrates: a case study of synthetic adhesives on historic textiles (2004)Application of confocal Raman…Understanding the Mineralogical Composition of Ancient Greek Pottery through Raman Microprobe Spectroscopy (2002)Understanding the Mineralogic…Romano-British wall-painting fragments: a spectroscopic analysis (2002)Romano-British wall-painting …Application of FT-Raman spectroscopy to the characterisation of parchment and vellum, I; novel information for paleographic and historiated manuscript studies (2001)Application of FT-Raman spect…The Bottesford Blue mystery: a Raman spectroscopic study of post-mediaeval glazed tiles (1999)The Bottesford Blue mystery: …Raman microscopy: sensitive probe of pigments on manuscripts, paintings and other artefacts (1999)Raman microscopy: sensitive p…Non-DestructiveIn-SituStudy of White and Black Coating on Painted Pottery Sherds From Bancun Site (Henan, China) by Raman Microscopy (1998)Non-DestructiveIn-SituStudy o…Analysis of rock art painting and technology of Palaeolithic painters (2003)Raman microscopy in archaeological science (2004)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Micro‐Raman spectroscopy on Iberian archaeological materials (2016)Characterization of the Inkaterra rock shelter paintings exposed to tropical climate (Machupicchu, Peru) (2017)Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America (2020)Abū'l-Qāsim's Treatise on Ceramics (1973)Chemical characterization of ceramic pastes in archaeology (1992)Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics (2003)Chemical characterization of ancient potteries from Himera and Pestavecchia necropolis (Sicily, Italy) by Inductively Coupled Plasma–Optical Emission Spectrometry (ICP–OES) (2010)Potential role of LIPS elemental depth profiling in authentication studies of unglazed earthenware artifacts (2012)Historical pigments characterisation by quantitative X-ray fluorescence (2013)Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts (1995)Experimental confirmation by Raman spectroscopy of a PbSnSb triple oxide yellow pigment in sixteenth‐century Italian pottery (2006)On-site Raman identification and dating of ancient/modern stained glasses at the Sainte-Chapelle, Paris (2007)Co speciation in blue decorations of blue-and-white porcelains from Jingdezhen kiln by using XAFS spectroscopy (2011)Combined non-destructive XRF and SR-XAS study of archaeological artefacts (2011)Portuguese tin-glazed earthenware from the 17th century. Part 1: Pigments and glazes characterization (2012)Compositional Categories of Ancient Glass (1961)Natron as a flux in the early vitreous materials industry: sources, beginnings and reasons for decline (2005)The source of blue colour of archaeological glass and glazes: the Raman spectroscopy/SEM‐EDS answers (2014)Egypt in Roman Visual and Material Culture (2017)On‐site Raman study of artwork: Procedure and illustrative examples (2017)Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman microscopy in art history and conservation science (2001)In Situ Spectroscopic Detection of Lead Sulphide on a Blackened Manuscript Illumination by Raman Microscopy (2002)In situ Raman microscopy applied to large Central Asian paintings (2009)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Angewandte Chemie International Edition (2006)The effect of lead additives on ancient Chinese Purple pigment synthesis (2014)Man-made blue and purple barium copper silicate pigments and the pabstite (BaSnSi3O9) mystery of ancient Chinese wall paintings from Luoyang (2019)Egyptian blue, Chinese blue, and related two-dimensional silicates: from antiquity to future technologies. Part A: general properties and historical uses (2023)Amphorae and the Roman economy : an introductory guide (1986)Pottery Analysis: A Sourcebook. (1990)Differentiation of antique ceramics from the Raman spectra of their coloured glazes and paintings (2001)A SPECTROSCOPIC INVESTIGATION OF PIGMENT AND CERAMIC SAMPLES FROM COPÁN, HONDURAS* (2008)FTIR analysis and 3D restoration of Transylvanian popular pottery from the XVI-XVIII centuries (2018)Ceramic Analysis (2025)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Raman microprobe analysis of stucco samples from the buildings of Maya Classic Copan (2006)Materials Characteristics of Roman and Arabic Mortars and Stuccoes from the Patio De Banderas in the Real Alcazar of Seville ( S pain) (2013)A multi-analytical study of a wall painting in the Satyr domus in Córdoba, Spain (2020)Corrosion of ancient Chinese bronze money trees studied by Raman microscopy (1999)Application of Fourier transform Raman spectroscopy to the characterization of parchment and vellum. II—Effect of biodeterioration and chemical deterioration on spectral interpretation (2004)Raman spectroscopic analysis of a tembetá: a resin archaeological artefact in need of conservation (2004)Evidence of a distinct lipid fraction in historical parchments: a potential role in degradation? (2005)Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives (1996)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Confocal Raman microscopy for in depth analysis in the field of cultural heritage (2011)Portable Raman versus portable mid-FTIR reflectance instruments to monitor synthetic treatments used for the conservation of monument surfaces (2012)LIF/Raman/XRF non-invasive microanalysis of frescoes from St. Alexander catacombs in Rome (2018)
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  • 2015Micro-Raman spectral identification of manganese oxides black pigments in an archaeological context in Northern Chile49 cited
  • 1999Raman microscopy: sensitive probe of pigments on manuscripts, paintings and other artefacts49 cited
  • 2011A multianalytical study of archaeological faience from the Vesuvian area as a valid tool to investigate provenance and technological features48 cited
  • 2002Romano-British wall-painting fragments: a spectroscopic analysis43 cited
  • 2001Application of FT-Raman spectroscopy to the characterisation of parchment and vellum, I; novel information for paleographic and historiated manuscript studies40 cited
  • 2009Micro‐Raman and portable Raman spectroscopic investigation of blue pigments in selected Delft plates (17–20th Century)39 cited
  • 2004Application of confocal Raman spectroscopy to thin polymer layers on highly scattering substrates: a case study of synthetic adhesives on historic textiles38 cited
  • 2006Lapis lazuli usage for blue decoration of polychrome painted glazed pottery: a recurrent technology during the Middle Ages in Apulia (Southern Italy)35 cited
  • 2006Raman and SEM Studies of Man-made Barium Copper Silicate Pigments in Ancient Chinese Artifacts32 cited
  • 2002Understanding the Mineralogical Composition of Ancient Greek Pottery through Raman Microprobe Spectroscopy32 cited
  • 2023Making and working Egyptian blue – a review of the archaeological evidence27 cited
  • 1999The Bottesford Blue mystery: a Raman spectroscopic study of post-mediaeval glazed tiles

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26 cited
  • 1998Non-DestructiveIn-SituStudy of White and Black Coating on Painted Pottery Sherds From Bancun Site (Henan, China) by Raman Microscopy21 cited
  • 2014The influence of UV–Vis radiation, and oscillations of temperature and relative humidity, on malachite alteration in the presence of different organic binders and varnishes20 cited
  • 2010Black painted pottery, Kildehuse II, Odense County, Denmark20 cited
  • 2020Post-15th century European glass beads in southern Africa: Composition and classification using pXRF and Raman spectroscopy18 cited