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The Surprising Detritus of Leisure: Encountering the Late Photography of War
16 references·7 citing·34 second hop
The Surprising Detritus of Leisure: Encountering the Late Photography of War (2011)The Surprising Detritus of Leisure: Encou…The Cultural Politics of Emotion (2014)The Cultural Politics of Emot…Photography after the Photograph: Event, Archive, and the Non-Symbolic (2009)Photography after the Photogr…Media Witnessing (2009)Media WitnessingBeautiful Suffering: Photography and the Traffic in Pain (2007)Beautiful Suffering: Photogra…Watching Babylon: The War in Iraq and Global Visual Culture (2005)Watching Babylon: The War in …Photography, War, Outrage (2005)Photography, War, OutrageMemory as a Freeze-Frame: Extracts from Looking at War (2003)Memory as a Freeze-Frame: Ext…Accommodating strangers: British hospitality and the asylum hotel debate (2003)Accommodating strangers: Brit…Publicity and Indifference (Sarajevo on Television) (2002)Publicity and Indifference (S…Witnessing (2001)WitnessingThe Public Eye and the Citizen-Voyeur: Photography as a Performance of Power (2001)The Public Eye and the Citize…The Spoken Image: Photography and Language (1999)The Spoken Image: Photography…Distant Suffering (1999)Distant SufferingRadical thought in Italy : a potential politics (1996)Radical thought in Italy : a …Visual sociology, documentary photography, and photojournalism: It's (almost) all a matter of context (1995)Visual sociology, documentary…A Short History of Photography (1972)A Short History of PhotographyFacing hunger, framing food banks, imaging austerity (2021)Facing hunger, framing food b…The security captor, captured. Digital cameras, visual politics and material semiotics (2020)The security captor, captured…Standing Acts: The Political Aesthetics of Defiant Resistance (2019)Standing Acts: The Political …Narrating atrocity: Genocide memorials, dark tourism, and the politics of memory (2019)Narrating atrocity: Genocide …International Relations in the Age of the Image (2018)International Relations in th…Witnessing violence through photography (2017)Witnessing violence through p…Video, algorithms and security: How digital video platforms produce post-sovereign security articulations (2017)Video, algorithms and securit…Visual Anthropology: Photography as a Research Method (1987)Visual Anthropology: Photography as a Research Method (1988)Using qualitative methods to elicit young people's perspectives on their environments: some ideas for community health initiatives (2001)Images of Recovery: A Photo-Elicitation Study on the Hospital Ward (2003)Nostalgic bonding: exploring the role of nostalgia in the consumption experience (2003)An Essay concerning Human Understanding (1690)A Social History of Truth (1994)What else? some more ways of thinking and doing ‘Children's Geographies’ (2006)On “Having Been There”: “Eyewitnessing” as a Journalistic Key Word (2007)Citizen camera-witnessing: Embodied political dissent in the age of ‘mediated mass self-communication’ (2013)Essays, Moral, Political, and Literary (2021)Tactility and Distraction (1991)9. The Generation Of Postmemory (2008)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)A shock to thought: Curatorial judgment and the public exhibition of ‘difficult knowledge’ (2011)Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)How images make world politics: International icons and the case of Abu Ghraib (2014)The Discourse of Global Compassion: The Audience and Media Reporting of Human Suffering (2004)Where ethics and politics meet (2006)On Critique: A Sociology of Emancipation (2012)Seeing the State (2005)Visibility (2007)The visual dehumanisation of refugees (2013)Visual truths of citizen reportage: four research problematics (2015)Witnessing in the age of the database: Viral memorials, affective publics, and the assemblage of mourning (2016)Data witnessing: attending to injustice with data in Amnesty International’s Decoders project (2019)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)A phenomenology of whiteness (2007)Reading Hurricane Katrina: Race, Class, and the Biopolitics of Disposability (2006)Geopolitics and visuality: Sighting the Darfur conflict (2007)Academics, Cultural Workers and Critical Labour Studies (2013)The quantified self: What counts in the neoliberal workplace (2015)Unsettling care: Troubling transnational itineraries of care in feminist health practices (2015)
this work references cited by second hop

References

  • 2014The Cultural Politics of Emotion8,090 cited
  • 2003Memory as a Freeze-Frame: Extracts from Looking at War2,254 cited
  • 1999Distant Suffering1,271 cited
  • 1996Radical thought in Italy : a potential politics1,244 cited
  • 2001Witnessing409 cited
  • 1972A Short History of Photography361 cited
  • 1995Visual sociology, documentary photography, and photojournalism: It's (almost) all a matter of context306 cited
  • 2005Watching Babylon: The War in Iraq and Global Visual Culture220 cited
  • 2007Beautiful Suffering: Photography and the Traffic in Pain213 cited
  • 2009Media Witnessing193 cited
  • 2005Photography, War, Outrage105 cited
  • 1999The Spoken Image: Photography and Language95 cited
  • 2002Publicity and Indifference (Sarajevo on Television)74 cited
  • 2003Accommodating strangers: British hospitality and the asylum hotel debate73 cited
  • 2001The Public Eye and the Citizen-Voyeur: Photography as a Performance of Power58 cited
  • 2009Photography after the Photograph: Event, Archive, and the Non-Symbolic52 cited

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Cited by

  • 2018International Relations in the Age of the Image65 cited
  • 2019Narrating atrocity: Genocide memorials, dark tourism, and the politics of memory64 cited
  • 2017Witnessing violence through photography32 cited
  • 2020The security captor, captured. Digital cameras, visual politics and material semiotics24 cited
  • 2017Video, algorithms and security: How digital video platforms produce post-sovereign security articulations23 cited
  • 2021Facing hunger, framing food banks, imaging austerity20 cited
  • 2019Standing Acts: The Political Aesthetics of Defiant Resistance6 cited