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This paper focuses phenomenological and empirical attention on kinesthetic experience, describing key experienced aspects of movement: its felt spatial dynamics on the one hand and its perceived three-dimensional form on the other. It proceeds on this basis to consider: (1) the ontogenetic and phylogenetic significance of animate movement and its kinesthetic underpinnings; (2) the fundamental import of recognising animation as the starting point for studies of animate life; and (3) the need to recognise common misconceptions of movement that distract us from the dynamic realities of movement itself. The clinical relevance of the analysis and the concepts it engenders are set forth in the conclusion.
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Stored only when both papers are in the corpus — 63 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.