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Raman and infrared studies of synthetic Maya pigments as a function of heating time and dye concentration
9 references·14 citing·29 second hop
Raman and infrared studies of synthetic Maya pigments as a function of heating time and dye concentration (2007)Raman and infrared studies of synthetic M…Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach (2006)Dehydroindigo: A New Piece in…Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Raman spectroscopic analysis …Maya Blue: A Computational and Spectroscopic Study (2005)Maya Blue: A Computational an…Electrochemical analysis of natural solid organic dyes and pigments (2003)Electrochemical analysis of n…Maya blue: application of XAS and HRTEM to materials science in art and archaeology (2002)Maya blue: application of XAS…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Raman Spectroscopic Investigation of Blue Contemporary Textiles (1997)Raman Spectroscopic Investiga…Maya Blue Paint: An Ancient Nanostructured Material (1996)Maya Blue Paint: An Ancient N…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment (2022)Influence of indigo-hydroxyl …Multianalytical characterization of pigments from funerary artefacts belongs to the Chupicuaro Culture (Western Mexico): Oldest Maya blue and cinnabar identified in Pre-Columbian Mesoamerica (2019)Multianalytical characterizat…Probing the Indigo Molecule in Maya Blue Simulants with Resonance Raman Spectroscopy (2018)Probing the Indigo Molecule i…Imaging the Surface of a Hand-Colored 19th Century Daguerreotype (2018)Imaging the Surface of a Hand…Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model (2018)Composition and Color of Maya…Time-Resolved Spectroscopy of Indigo and of a Maya Blue Simulant (2016)Time-Resolved Spectroscopy of…Raman, SEM–EDS and XRPD investigations on pre-Columbian Central America “estucado” pottery (2015)Raman, SEM–EDS and XRPD inves…Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment (2013)Redox Tuning and Species Dist…On the dehydroindigo contribution to Maya Blue (2013)On the dehydroindigo contribu…Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Vibrational investigation of …On the interpretation of the Raman spectra of Maya Blue: a review on the literature data (2010)On the interpretation of the …Insertion of indigo molecules in the sepiolite structure as evidenced by 1H–29Si heteronuclear correlation spectroscopy (2010)Insertion of indigo molecules…The vibrational spectroscopy of indigo: A reassessment (2009)The vibrational spectroscopy …Spectroscopic analysis of a dye–mineral composite–a Raman and FT‐IR study (2008)Spectroscopic analysis of a d…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)In situ Raman and IR spectroscopic analysis of indigo dye (2010)Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)The materials and techniques of medieval painting (1956)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments (2008)Painting Materials: A Short Encyclopedia (2011)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Electrochemical monitoring of indigo preparation using Maya’s ancient procedures (2007)The Maya Blue Pigment (2011)A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)High-performance liquid chromatographic determination of some anthraquinone and naphthoquinone dyes occurring in historical textiles (1999)Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings (2004)Indigo/Dehydroindigo/Palygorskite Complex in Maya Blue: An Electrochemical Approach (2007)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)Raman microscopy in art history and conservation science (2001)Three fabricated pigments (Han purple, indigo and emerald green) in ancient Chinese artifacts studied by Raman microscopy, energy‐dispersive X‐ray spectrometry and polarized light microscopy (2007)Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook (2015)SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)Imaging Mass Spectrometry with a Low‐Temperature Plasma Probe for the Analysis of Works of Art (2010)The first direct evidence of pre-columbian sources of palygorskite for Maya Blue (2012)Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex (2013)
this work references cited by second hop

References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 1996Maya Blue Paint: An Ancient Nanostructured Material249 cited
  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2005Maya Blue: A Computational and Spectroscopic Study163 cited
  • 2005Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico133 cited
  • 2006Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach108 cited
  • 2003Electrochemical analysis of natural solid organic dyes and pigments89 cited
  • 2002Maya blue: application of XAS and HRTEM to materials science in art and archaeology57 cited
  • 1997Raman Spectroscopic Investigation of Blue Contemporary Textiles56 cited

Cited by

  • 2010On the interpretation of the Raman spectra of Maya Blue: a review on the literature data46 cited
  • 2011Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue44 cited
  • 2013On the dehydroindigo contribution to Maya Blue39 cited
  • 2009The vibrational spectroscopy of indigo: A reassessment35 cited
  • 2010Insertion of indigo molecules in the sepiolite structure as evidenced by 1H–29Si heteronuclear correlation spectroscopy31 cited

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  • 2013Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment30 cited
  • 2016Time-Resolved Spectroscopy of Indigo and of a Maya Blue Simulant29 cited
  • 2018Probing the Indigo Molecule in Maya Blue Simulants with Resonance Raman Spectroscopy26 cited
  • 2018Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model26 cited
  • 2008Spectroscopic analysis of a dye–mineral composite–a Raman and FT‐IR study24 cited
  • 2022Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment21 cited
  • 2015Raman, SEM–EDS and XRPD investigations on pre-Columbian Central America “estucado” pottery18 cited
  • 2019Multianalytical characterization of pigments from funerary artefacts belongs to the Chupicuaro Culture (Western Mexico): Oldest Maya blue and cinnabar identified in Pre-Columbian Mesoamerica17 cited
  • 2018Imaging the Surface of a Hand-Colored 19th Century Daguerreotype14 cited