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Non-destructive NIR-FT-Raman analyses in practice. Part 1. Analyses of plants and historic textiles
1 references·5 citing·22 second hop
Non-destructive NIR-FT-Raman analyses in practice. Part 1. Analyses of plants and historic textiles (2001)Non-destructive NIR-FT-Raman analyses in …The temple of the warriors at Chichen Itza, Yucatan (1931)The temple of the warriors at…Noninvasive identification of turmeric and saffron dyes in proteinaceous textile fibres using Raman spectroscopy and multivariate analysis (2021)Noninvasive identification of…The Maya Blue Pigment (2011)The Maya Blue PigmentConfocal Raman microscopy for in depth analysis in the field of cultural heritage (2011)Confocal Raman microscopy for…On the interpretation of the Raman spectra of Maya Blue: a review on the literature data (2010)On the interpretation of the …Thermal and Raman-spectroscopic analysis of Maya Blue carrying artefacts, especially fragment IV of the Codex Huamantla (2007)Thermal and Raman-spectroscop…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue Paint: An Ancient Nanostructured Material (1996)Painting Materials: A Short Encyclopedia (2011)Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make? (2012)Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)The invention of blue and purple pigments in ancient times (2006)Multianalytical characterization of pigments from funerary artefacts belongs to the Chupicuaro Culture (Western Mexico): Oldest Maya blue and cinnabar identified in Pre-Columbian Mesoamerica (2019)Isomerization and Redox Tuning: Reorganizing the Maya Blue Puzzle from Synthetic, Spectral, and Electrochemical Issues (2021)Indigo, woad, and Tyrian Purple: important vat dyes from antiquity to the present (1993)FT Raman microscopy of untreated natural plant fibres (1997)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)The first direct evidence of pre-columbian sources of palygorskite for Maya Blue (2012)Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex (2013)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment identification by spectroscopic means: an arts/science interface (2002)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)Paint and Coloring Materials from the Brazilian Amazon Forest: Beyond Urucum and Jenipapo (2023)Chichen Itza and Its Hinterland (1994)A Late Classic lime-plaster kiln from the Maya centre of Copan, Honduras (1996)Sourcing the Palygorskite Used in Maya Blue: A Pilot Study Comparing the Results of INAA and LA-ICP-MS (2007)
this work references cited by second hop

References

  • 1931The temple of the warriors at Chichen Itza, Yucatan57 cited

Cited by

  • 2011The Maya Blue Pigment53 cited
  • 2010On the interpretation of the Raman spectra of Maya Blue: a review on the literature data46 cited
  • 2007Thermal and Raman-spectroscopic analysis of Maya Blue carrying artefacts, especially fragment IV of the Codex Huamantla21 cited
  • 2011Confocal Raman microscopy for in depth analysis in the field of cultural heritage14 cited
  • 2021Noninvasive identification of turmeric and saffron dyes in proteinaceous textile fibres using Raman spectroscopy and multivariate analysis12 cited

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