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Cited by

• 2015Control, curation and musical experience in streaming music services248 cited
• 2012Fame Attack148 cited
• 2014Obfuscatory Relational Work and Disreputable Exchange126 cited
• 2007From conception to consumption: creativity and the missing managerial link95 cited
• 1992Ethnomusicology and Music Law80 cited
• 2005“Take Those Old Records off the Shelf”: Youth and Music Consumption in the Postmodern Age66 cited
• 2007Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market57 cited
• 2019Revenue, access, and engagement via the in-house curated Spotify playlist in Australia56 cited
• 1993Plugging and programming: pop radio and record promotion in Britain and the United States36 cited
• 2004Predicting cultural output diversity in the radio industry, 1989–200234 cited
• 2006L’impact d’Internet et des Technologies de l’Information et de la Communication sur l’industrie de la musique enregistrée21 cited
• 1991Latin Music in the United States: Salsa and the Mass Media18 cited
• 2016Slicing the pie: the search for an equitable recorded music economy16 cited
• 2011Music Radio and the Record Industry: Songs, Sounds, and Power