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Country music offers students and instructors of geography a fertile area for explaining many of the concepts and traditions emphasized in the field. This study focuses on the physical, man-land, and spatial traditions of geography and their significance in analyzing a particular style of American country music. During the early part of the twentieth century, bluegrass music originated in Appalachia where man-land relationships were important to the inhabitants. It has since been diffused by the migration of musicians and facilities accommodating the old-time “pickin' and singin'” sound. The purpose of this study is to lend insight to the possibilities of using country music to illustrate the spatial-temporal phases of American culture.
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