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Paying for Art
14 references·2 citing·32 second hop
Paying for Art (1996)Paying for Art38. Class, Citizenship and Social Development (2016)38. Class, Citizenship and So…Constructing a Sociology of the Arts. (1991)Constructing a Sociology of t…Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music. (1989)Understanding Toscanini: How …The Transformation of the Avant-Garde: The New York Art World, 1940-1985. (1988)The Transformation of the Ava…The French Art Market: A Sociological View. (1988)The French Art Market: A Soci…Advertising the American Dream (1985)Advertising the American DreamPerformers and Performances: The Social Organization of Artistic Work. (1984)Performers and Performances: …How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War (1984)How New York Stole the Idea o…Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America (1982)Cultural entrepreneurship in …The subsidized muse: Public support for the arts in the United states (1978)The subsidized muse: Public s…Good Old Modern: An Intimate Portrait of the Museum of Modern Art (1974)Good Old Modern: An Intimate …Orpheus in the New World;: The symphony orchestra as an American cultural institution (1973)Orpheus in the New World;: Th…Performing Arts: The Economic Dilemma. (1968)Performing Arts: The Economic…The Chicago Symphony Orchestra. Its Organization, Growth, and Development, 1891-1924 (1925)The Chicago Symphony Orchestr…Corporate sponsorship as cultural policy: tax incentives in Brazilian contemporary art (2025)Corporate sponsorship as cult…Cultura audiovisual e arte contemporânea (2001)Cultura audiovisual e arte co…The inheritors : French students and their relation to culture (1979)Conflicting visions in American art museums (1981)Culture and Cognition (1997)Music in Everyday Life (2000)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Abstract Expressionism: The Politics of Apolitical Painting (1978)What Became Authentic Primitive Art? (1994)Museums After Modernism (2007)Historical and Personal Nostalgia in Advertising Text: TheFin de siècleEffect (1992)A Simple Theory of Advertising as a Good or Bad (1993)Brands (2005)The sacred meanings of money (1990)Materialism and economic psychology (1994)ARTISTIC LABOR MARKETS AND CAREERS (1999)The Myth of Massive Media Impact: Savagings and Salvagings (1986)Feminist international relations: an unfinished journey (2002)Anywhere or not at all: philosophy of contemporary art (2014)The rise and fall of highbrow snobbery as a status marker (1997)The State Collections of Colonial New Zealand Art: Intertwined Histories of Collecting and Display (2010)Musical Mobilities (2017)Inclusion and exclusion (1996)The repositioning of citizenship and alienage: Emergent subjects and spaces for politics∗ (2005)Fuzzy set ideal type analysis (2007)How Art and Culture Happen in New York (2007)Thinking with art: from situated knowledge to experiential knowing (2007)Category Reinterpretation and Defection: Modernism and Tradition in Italian Winemaking (2011)Nonprofit Enterprise in the Performing Arts (1981)The Cultural Industries Production System: A Case Study of Employment Change in Britain, 1984–91 (1997)Four models of the creative industries (2008)Coordination and Convention: The Organization of the Concert World (1987)Participation in the Arts by Black and White Americans (1990)Classical Deviation: OrganizationalandIndividual Status as Antecedents of Conformity (2015)
this work references cited by second hop

References

  • 1985Advertising the American Dream1,298 cited
  • 1982Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America784 cited
  • 1984How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War411 cited
  • 1968Performing Arts: The Economic Dilemma.357 cited
  • 201638. Class, Citizenship and Social Development275 cited
  • 1988The French Art Market: A Sociological View.134 cited
  • 1988The Transformation of the Avant-Garde: The New York Art World, 1940-1985.87 cited
  • 1974Good Old Modern: An Intimate Portrait of the Museum of Modern Art63 cited
  • 1973Orpheus in the New World;: The symphony orchestra as an American cultural institution60 cited
  • 1991Constructing a Sociology of the Arts.30 cited
  • 1978The subsidized muse: Public support for the arts in the United states27 cited
  • 1984Performers and Performances: The Social Organization of Artistic Work.24 cited
  • 1989Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music.9 cited
  • 1925The Chicago Symphony Orchestra. Its Organization, Growth, and Development, 1891-19248 cited

Cited by

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2001
Cultura audiovisual e arte contemporânea
6 cited
  • 2025Corporate sponsorship as cultural policy: tax incentives in Brazilian contemporary art3 cited