SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Limewashing paintings in Alentejo urban heritage: pigment characterization and differentiation by WDXRF and XRD
6 references·4 citing·35 second hop
Limewashing paintings in Alentejo urban heritage: pigment characterization and differentiation by WDXRF and XRD (2007)Limewashing paintings in Alentejo urban h…Pigment Compendium: Optical Microscopy of Historical Pigments (2013)Pigment Compendium: Optical M…Yellow and red ochre pigments from southern Portugal: Elemental composition and characterization by WDXRF and XRD (2007)Yellow and red ochre pigments…Pigments of English medieval wall painting (2007)Pigments of English medieval …The colour of ochres explained by their composition (2005)The colour of ochres explaine…Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis (2005)Earth pigments in painting: c…Clay and iron oxide pigments in the history of painting (2003)Clay and iron oxide pigments …Study of the frescoes in Ioneştii Govorii wooden church (Romania) using multi-technique investigations (2015)Study of the frescoes in Ione…Are they fresco paintings? Technical and material study of Casas Pintadas of Vasco da Gama house in Évora (Southern Portugal) (2015)Are they fresco paintings? Te…Multispectroscopic Characterization of Oil on Copper Painting (2013)Multispectroscopic Characteri…A multi-analytical study of the fifteenth century mural paintings of the Batalha Monastery (Portugal) in view of their conservation (2013)A multi-analytical study of t…The Conservation of Wall Paintings (1993)Rediscovering the palette of Alentejo (Southern Portugal) earth pigments: provenance establishment and characterization by LA-ICP-MS and spectra-colorimetric analysis (2009)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)The pigments from Pinnacle Point Cave 13B, Western Cape, South Africa (2010)Identification of pigments on Byzantine wall paintings from Crete (14th century AD) using non-invasive Fiber Optics Diffuse Reflectance Spectroscopy (FORS) (2013)Effect of particle size on pigments colour (2016)Cross-Sections and Chemical Analysis of Paint Samples (1956)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Modern analytical methods in art and archaeology (2000)Multi‐analytical approach to the material characterization of 16th century wall paintings from R ibeira S acra ( G alicia, NW S pain): Pictorial palette, technique and alterations (2016)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Infrared Spectroscopy in Conservation Science (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Micro-analytical study of two 17th century gilded miniature portraits on copper (2015)Multi-Spectroscopic Approach for the Non-invasive Characterization of Paintings on Metal Surfaces (2020)Ancient Egyptian Materials and Industries (1948)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)Structural Response of Painted Wood Surfaces to Changes in Ambient Relative Humidity (1998)Pigment Compendium: A Dictionary of Historical Pigments (2007)‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments (2008)A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation) (2019)Characterization of art materials and degradation processes in the exterior wall paintings of the main church of Rila Monastery, Bulgaria (2023)ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments (2009)In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR (2013)A review of ancient Egyptian pigments and cosmetics (2015)Fat Residue and Use-Wear Found on Acheulian Biface and Scraper Associated with Butchered Elephant Remains at the Site of Revadim, Israel (2015)Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)PIXE characterisation of prehistoric pigments from Abri Pataud (Dordogne, France) (2011)An investigation into the properties of the ochre from Sibudu, KwaZulu-Natal, South Africa (2012)Non-Destructive Multi-Analytical Approach to Study the Pigments of Wall Painting Fragments Reused in Mortars from the Archaeological Site of Pompeii (Italy) (2018)In situ investigations of vault paintings in the Antwerp cathedral (2009)Manuscripts of theAnglo-Saxon Chronicle (2011)Pigments—the palette of organic colourants in wall paintings (2021)
this work references cited by second hop

References

  • 2003Clay and iron oxide pigments in the history of painting375 cited
  • 2005The colour of ochres explained by their composition195 cited
  • 2005Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis177 cited
  • 2013Pigment Compendium: Optical Microscopy of Historical Pigments145 cited
  • 2007Pigments of English medieval wall painting67 cited
  • 2007Yellow and red ochre pigments from southern Portugal: Elemental composition and characterization by WDXRF and XRD64 cited

Cited by

  • 2013A multi-analytical study of the fifteenth century mural paintings of the Batalha Monastery (Portugal) in view of their conservation15 cited
  • 2013Multispectroscopic Characterization of Oil on Copper Painting14 cited
  • 2015Study of the frescoes in Ioneştii Govorii wooden church (Romania) using multi-technique investigations13 cited
  • 2015Are they fresco paintings? Technical and material study of Casas Pintadas of Vasco da Gama house in Évora (Southern Portugal)12 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work