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Drama, Stage and Audience
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Drama, Stage and Audience (1977)Drama, Stage and AudienceMask and Masking: A Survey of Their Universal Application to Theatre Practice (2016)Mask and Masking: A Survey of…Sounding out ‘the scenographic turn’: eight position statements (2015)Sounding out ‘the scenographi…Self, role and character: developing a professional identity as a drama teacher (2012)Self, role and character: dev…The Secular Morality of Middleton’s City Comedies (2008)The Secular Morality of Middl…Making use of the stage in West Africa: The role of audiences in the production of efficacious theatre (2008)Making use of the stage in We…Appreciation: The Weakest Link in Drama/Theater Education (2007)Appreciation: The Weakest Lin…The Tease of Truth: Seduction, Verisimilitude (?), and Spectatorship in I Am My Own Wife (2006)The Tease of Truth: Seduction…Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama (2001)Narrative Voice and Agency in…The Tragic Mask of Comedy: Metatheatricality in Menander (2000)The Tragic Mask of Comedy: Me…Making the Aristophanic Audience (1999)Making the Aristophanic Audie…Beyond Poststructuralism: Theory of Character, the Personae of Modem Drama, and the Antinomies of Critical Theory (1997)Beyond Poststructuralism: The…Mimì's Death: Mourning in Puccini and Leoncavallo (1996)Mimì's Death: Mourning in Puc…Kenneth Burke and Susanne K. Langer on drama and its audience (1986)Kenneth Burke and Susanne K. …Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered (1992)THE POLITICS OF AESTHETICS: THE DISTRIBUTION OF THE SENSIBLE (2005)Postdramatic Theatre (2006)Morphology of the folktale (1958)Image-Music-Text (1977)Alice Doesn't: Feminism, Semiotics, Cinema (1985)Mimesis: The Representation of Reality in Western Literature (1955)Vested Interests: Cross-Dressing and Cultural Anxiety (1993)The haunted stage: the theatre as memory machine (2002)Games People Play (1964)Fifth-century tragedy and Comedy: Asynkrisis (1986)Reading Greek Tragedy (1986)Women and the Comic Plot in Menander (2008)Cato the Censor and the beginnings of Latin prose: from poetic translation to elite transcription (2012)The Cambridge Companion to Greek Comedy (2014)Literary History as a Challenge to Literary Theory (1970)The Social Production of Art (1981)The Politics of Performance (2002)‘The Money Was Real Money’: Talking with Audiences about Corruption, Domestic Violence and Aesthetic Values during the Roverman Festival of Plays at the Ghana National Theatre (2016)Language as Symbolic Action (1966)Rhetoric of Motives (1969)A Rhetoric of Motives (2017)Frame Analysis: An Essay on the Organization of Experience. (1975)How To Do Things With Words (1975)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Multimodality and the study of popular drama (2010)How Authors' Minds Make Stories (2013)17 Narratology and Media(lity): The Transmedial Expansion of a Literary Discipline and Possible Consequences [2011] (2017)Nothing to Do with Dionysus?: Athenian Drama in Its Social Context (1992)LAWCOURT DRAMAS: THE POWER OF PERFORMANCE IN GREEK FORENSIC ORATORY (1995)Poet, Public, and Performance in Ancient Greece (2000)Frigid enthusiasts: Lucian on Writing History (2001)Something to do with Demeter: Ritual and Performance in Aristophanes' Women at the Thesmophoria (2002)Intertextual biography in the rivalry of Cratinus and Aristophanes (2011)The Presentation of Self in Everyday Life. (1956)Handbook of research on teacher education (1990)Teachers’ professional competences: what has Drama in Education to offer? An empirical study in Greece (2016)Being the adult you needed as a kid: why the AITSL standards are not the best fit for drama teachers (2019)The complex role of drama teaching and drama teachers’ learning trajectories in an Icelandic context (2020)The Presentation of Self in Everyday Life (2023)The Process of Communication (1960)Myth, Literature and the African World (1978)Towards a Poor Theatre (2012)
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  • 2000The Tragic Mask of Comedy: Metatheatricality in Menander119 cited
  • 2001Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama92 cited
  • 1999Making the Aristophanic Audience59 cited
  • 2012Self, role and character: developing a professional identity as a drama teacher19 cited
  • 1997Beyond Poststructuralism: Theory of Character, the Personae of Modem Drama, and the Antinomies of Critical Theory18 cited
  • 2006The Tease of Truth: Seduction, Verisimilitude (?), and Spectatorship in I Am My Own Wife14 cited
  • 2015Sounding out ‘the scenographic turn’: eight position statements12 cited
  • 1986Kenneth Burke and Susanne K. Langer on drama and its audience9 cited
  • 2016Mask and Masking: A Survey of Their Universal Application to Theatre Practice6 cited
  • 2008Making use of the stage in West Africa: The role of audiences in the production of efficacious theatre5 cited
  • 2007Appreciation: The Weakest Link in Drama/Theater Education5 cited
  • 2008The Secular Morality of Middleton’s City Comedies3 cited
  • 1996Mimì's Death: Mourning in Puccini and Leoncavallo3 cited

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