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Jazz After Jazz : Ken Burns and the Construction of Jazz History
14 references·0 citing·29 second hop
Jazz After Jazz : Ken Burns and the Construction of Jazz History (2002)Jazz After Jazz : Ken Burns and the Const…Art as Experience (1934) (2026)Art as Experience (1934)Jazz: A History of America's Music (2002)Jazz: A History of America's …Music and humanism : an essay in the aesthetics of music (2000)Music and humanism : an essay…The Jazz cadence of American culture (1999)The Jazz cadence of American …The End of Art? (1998)The End of Art?The End of Art: A Philosophical Defense (1998)The End of Art: A Philosophic…After the End of Art: Contemporary Art and the Pale of History (1998)After the End of Art: Contemp…Art as language: Wittgenstein, meaning, and aesthetic theory (1995)Art as language: Wittgenstein…The music of our lives (1991)The music of our livesThe Philosophical Disenfranchisement of Art. (1988)The Philosophical Disenfranch…The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Study of Ethnomusicology:…The Aesthetics of Music (1981)The Aesthetics of MusicPhilosophy of Modern Music (1975)Philosophy of Modern MusicThe Principles of Art (1958)The Principles of ArtMind, Language and Reality (1975)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance (2003)Long-term musical group interaction has a positive influence on empathy in children (2012)Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist (1989)Uptown Conversation (2004)Specters of Democracy (2011)The Cambridge History of African American Literature (2011)The Cambridge Companion to Pragmatism (2013)Introduction : On the Philosophy of Art (2015)Communication Between Artist and Audience: A Case Study of Creation Journey (2019)Forms of Understanding and the Future of Educational Research (1993)Handbook of Emotions (1993)The Dynamics of Organizational Identity (2002)The Persistence of Subjectivity (2005)Contemporary Art and the Politics of Aesthetics (2009)Modernism and the Ordinary (2009)When Pictures Are Present: Arthur Danto and the Historicity of the Eye (2001)Hegel on the Modern Arts (2010)A critique of contemporary artificial intelligence art: Who is Edmond de Belamy? (2020)Qualitative Analysis for Social Scientists (1987)Stories of Experience and Narrative Inquiry (1990)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)The biology and evolution of music: A comparative perspective (2006)The singing Neanderthals: The origins of music, language, mind, and body (2006)Universals in the world’s musics (2011)History of Modern Aesthetics (2005)The critique criticised: Adorno and popular music (1982)A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself" (1995)
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References

  • 2026Art as Experience (1934)5,188 cited
  • 1998After the End of Art: Contemporary Art and the Pale of History600 cited
  • 1985The Study of Ethnomusicology: Twenty-Nine Issues and Concepts515 cited
  • 1999The Jazz cadence of American culture424 cited
  • 1958The Principles of Art412 cited
  • 1981The Aesthetics of Music399 cited
  • 1988The Philosophical Disenfranchisement of Art.209 cited
  • 1998The End of Art: A Philosophical Defense96 cited
  • 1975Philosophy of Modern Music68 cited
  • 1995Art as language: Wittgenstein, meaning, and aesthetic theory65 cited
  • 1991The music of our lives42 cited
  • 2002Jazz: A History of America's Music42 cited
  • 2000Music and humanism : an essay in the aesthetics of music27 cited
  • 1998The End of Art?21 cited

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